Herb Gardner

Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'.

Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'.

Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'.

A documentary profile of director/choreographer Bob Fosse. Includes clips from his films and television specials as well as interviews with Fosse, remembrances from his friends, and commentary by Gwen Verdon. A Dance in America presentation, broadcast as part of Great Performances.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime.

An elderly man is determined to reopen the Coney Island boardwalk hot dog stand he closed twenty-two years earlier for renovation, despite the fact he's recovering from a severe heart attack and it's the middle of February.

An elderly man is determined to reopen the Coney Island boardwalk hot dog stand he closed twenty-two years earlier for renovation, despite the fact he's recovering from a severe heart attack and it's the middle of February.

An elderly man is determined to reopen the Coney Island boardwalk hot dog stand he closed twenty-two years earlier for renovation, despite the fact he's recovering from a severe heart attack and it's the middle of February.

Martin and Sally Cramer grew up on the hardscrabble Lower East Side, where Sally still teaches; meanwhile, Martin's the head of a fancy private school. Romantic dalliances with others convince them that they're meant to be together despite their differences, a decision that's cemented, oddly enough, by an over-the-top argument that draws the police.

Martin and Sally Cramer grew up on the hardscrabble Lower East Side, where Sally still teaches; meanwhile, Martin's the head of a fancy private school. Romantic dalliances with others convince them that they're meant to be together despite their differences, a decision that's cemented, oddly enough, by an over-the-top argument that draws the police.

Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.

Two desperate people have a wonderful romance, but their political views and convictions drive them apart.

A hit pop songwriter, who cannot love himself or others, spends his days with various women flying his plane, and dropping in to the world around him.

A hit pop songwriter, who cannot love himself or others, spends his days with various women flying his plane, and dropping in to the world around him.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.