Ernesto Martínez Arévalo

Ernesto has found a peculiar way to meet people and earn a living: provoking car accidents.

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

"No One Will Ever Know" - An anodyne environment and a perennial lack of affection, push Lucia and Braulio to turn in the fiction world; to materialize their dreams. Neither inclement reality can stop them.

During the holidays, Amanda, trapped in adolescence, looks for a way to escape from the annoying family trip. While travelling, she realizes how her relationship with her family is progressively crumbling and her parents marriage is slowly falling apart. She sees it as a punishment, but does not suspect that with the imminent escalation of violence in Mexico this could be their last vacation together.

Many types of legal and social oppression cause people to leave their homelands, including misogyny, homophobia, and transphobia. The documentary Club Amazonas features two young transwomen from Honduras, Jessica and Angela, who seek tolerance and opportunity across the Mexican border while pondering the freedom and security promised by the U.S..

Winter. Two mothers wait for their children, involved in a social conflict, to return home. Crying is useless.

Sergio and Octavio discover each other in a game between seduction and desire during a night of celebration. At daybreak, each will have a piece of the other: their joint gay moments.

Ines is an old atheist woman who is intrigued by the funeral services provided by Giovanna, who takes her on a tour through the graveyard to show her all the special attentions they offer to their clients

The Mexican diva of cinema, María Felix, age 80, is staying as a guest at the home of a family in Veracruz. There she meets the daughter of the owners, Agatha, age 16, who wants to know what does the actress do to be so beautiful at her age. They become friends, live adventures and María reveals her secrets.

Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.

Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.

Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.

Ramona is 84, and she has announced that she is ready to die. While her family is making the preparations, however, she changes her mind.

They dance in the water. They are like wandering clouds. But not for a homophobic spectator.

After a tragic loss, Ivan becomes obsessed with the personality of the elephants, which they say, never forget.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship

Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs.

The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

A young mute student goes to the movies when ditching school, but changes his mind when he meets an unemployed man who tries to communicate with him. Through messages and games, the two will make a discovery they never imagined.