Tōichirō Narushima

Movies

Katana
Screenplay
An antique sword exposes tension between three siblings.
Katana
Director
An antique sword exposes tension between three siblings.
Merry Christmas, Mr. Lawrence
Director of Photography
Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.
Time Within Memory
Screenplay
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
Time Within Memory
Executive Producer
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
Time Within Memory
Director of Photography
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
Time Within Memory
Director
Minoru visits his home on Okinoerabu island for the first time in thirty years. Seeing the old man who used to be in love with his mother, Minoru recalls the old days spent on the island with his young, beautiful mother.
The Ceremony
Director of Photography
Oshima’s magisterial epic, centering on the ambivalent surviving heir of the Sakurada clan, uses ritual and the microcosm of the traditional family to trace the rise and fall of militaristic Japan across several decades.
The Man Who Left His Will on Film
Director of Photography
A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
Double Suicide
Director of Photography
Successful and married with children, paper-mill owner Jihei knows better than to contradict the strict social and moral codes of 18th-century Japan. But when he meets the lovely courtesan Koharu, he becomes a man obsessed. Koharu returns his love, even foregoing other customers while Jihei schemes to somehow buy her freedom. His efforts yield ruinous consequences for his business and his family life, and Koharu is meanwhile purchased by another client.
The Kii River
Director of Photography
Epic saga of an idealistic land-owning family dealing with militarism, war, social change and economic reform.
Snow Country
Director of Photography
This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.
The Shape of Night
Director of Photography
Yoshie Nogami, a factory worker by day, moonlights as a hostess at a bar. One of the regulars, Eiji Kitami, invites her out on a date. Still only 19, she goes along out of curiosity and ends up spending the night at a hotel where she gives herself to him. They begin a passionate love affair and move in together, after which Yoshie begins skipping work at the factory and rarely returns to her family home. Before long, Eiji’s demeanor changes and he begins to constantly ask her for money. Despite claiming to be a businessman, he is actually a local thug, and his inability to pay his dues to his gang leads him to force Yoshie into prostitution.
Escape from Japan
Director of Photography
As Japan is preparing to host the Olympics, a gang member wanting to go to America is sought after by the police after helping his friend conduct a robbery.
Our Happiness Alone
Director of Photography
Mototsugu is the younger son of Akira Sakawa, a director of an advertising agency whose mother, Nobuko, is ill with cancer of the liver. His elder brother, Ichiro, works at the Bank of Japan whose wife, Masuko, is from a very high-class family. Mototsugu becomes disgusted with such strait-laced living and leaves home to marry Yoshiko, a blind masseuse, and they live in a small apartment near a pinball parlor where he works.
18 Roughs
Director of Photography
Experienced shipyard worker Shimazaki gets an offer of free lodging from his employer in the company seaside rest house if he agrees to see to its running. After moving in, Shimazaki finds out that this will also mean taking care of a flock of youngsters, and he soon becomes their none-too-successful warden. At work the boys are disciplined, as soon as they return to their dormitory however they turn into an unmanageable mob.
Twin Sisters of Kyoto
Director of Photography
In this Japanese drama, a dry goods merchant's daughter is surprised to discover that she has a twin sister. In rural Japan it was thought that twins bring bad luck, so the sister was abandoned at birth. Later her parents tell her that her sister was kidnapped. The woman doesn't believe this and when she eventually meets her twin, both women are involved in love affairs. The merchant's daughter is seeing an educated fellow. Trouble ensues when she begins suspecting that he may be more interested in her sister.
Get Married, Mother
Director of Photography
Akitsu Springs
Director of Photography
Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.
Bitter End of a Sweet Night
Director of Photography
An opportunistic department store clerk gets involved with three women and attempts to manipulate them so he can move up the social ladder.
Blood Is Dry
Director of Photography
An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
Good-for-Nothing
Director of Photography
Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.