Mercedes Cantero

Documentary about the revolutionary flamenco-rock album "Omega", composed by maestro Enrique Morente and the Granada group Lagartija Nick in 1996. A groundbreaking album with great impact on the national and international music scene in which Morente adapted songs by the singer-songwriter Leonard Cohen and he put music to poems by Federico García-Lorca.

Documentary about the revolutionary flamenco-rock album "Omega", composed by maestro Enrique Morente and the Granada group Lagartija Nick in 1996. A groundbreaking album with great impact on the national and international music scene in which Morente adapted songs by the singer-songwriter Leonard Cohen and he put music to poems by Federico García-Lorca.

The Spanish deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters - both detectives in the homicide division - to investigate the cases. With deep divisions in their ideology, detectives Juan and Pedro must put aside their differences if they are to successfully hunt down a killer who for years has terrorized a community in the shadow of a general disregard for women rooted in a misogynistic past.

Documentary testimonial Nicaraguan-Spanish director Mercedes Moncada. It is not an autobiography, but it points to a very emotional perspective with the Nicaraguan revolution. Narrated in the first person, the documentary tells testimonial filmmaker's memories from his childhood, when the revolution broke up the "loss and betrayal" of the Sandinista National Liberation Front (FSLN) to the political principles that had been erected.

Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.

While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."

After many years, three childhood friends meet casually on the street and decide to have a beer to celebrate.

Each of the members of a group of hackers is willing to fight against system. Their messages and attacks are political, socially demmanding but also playful. Each of them have reasons to have moved to that virtual side, where they can be who they can't in real life. However, the sudden implication of authorities (pressed by goverment to be tougher against hackers)and of a wise and dangerous cracker will cause a turn in their crusade. Will they use the enemy's means or their ideological motivations imply a respect for law and human life?