Producer
It is summer in a small village in south-eastern Spain. A storm threatens to cause the river that runs through it to overflow again. A popular old belief claims that some women are predestined to disappear with each new flood, because they have the “water inside”. A band of young people is trying to overcome the weariness of a summer in the village that smells of death by smoking, dancing, and lusting after each other. In this electric atmosphere that precedes the storm, Ana and José live a love affair until the storm bursts.
Producer
Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.
Producer
In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.
Producer
In the South of Spain, a multicolored pigeon race will be won not by the fastest bird, but the one who will be able to seduce a female pigeon and fly alongside her the longest.
Producer
Director
Accompanied by voice-over extracts from Prose du Transsibérien et de la petite Jeanne de France by Blaise Cendrars, Prose of the Trans-Siberian follows the train journey of the same name, via footage shot from a carriage window. These calm and linear images are combined with abstract animation, sometimes geometric, sometimes more organic, expressing the sensations of this journey, of the horizontal shifting, with its tempo, ist pauses, its agitations and the proliferation of thoughts that this particular space-time makes possible.
Producer
The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.
Producer
Marina, Sofía and Violeta are three teenage sisters who have just suffered the loss of the grandmother who raised them. Each one will live the mourning in her own way, in a house inhabited by a myriad of memories, responsibilities and tensions.
Producer
A film about the return of a woman to a house where a drama took place – the return to her memories, her fears and her intimacy.
Producer
Martina and Sofia are sisters. They wake up one morning in great heat, eat breakfast on the patio and remain there all day watching TV. They eagerly await a call from their mother who lives abroad.
Producer
Short. A remote house in the Cape Cod area, october 1962…
