Producer
It is summer in a small village in south-eastern Spain. A storm threatens to cause the river that runs through it to overflow again. A popular old belief claims that some women are predestined to disappear with each new flood, because they have the “water inside”. A band of young people is trying to overcome the weariness of a summer in the village that smells of death by smoking, dancing, and lusting after each other. In this electric atmosphere that precedes the storm, Ana and José live a love affair until the storm bursts.
Producer
Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.
Producer
영화의 원제 ‘발견의 해’는 콜럼버스가 아메리카 대륙을 발견한 1492년을 지칭한다. 반면 현대 역사에서 ‘발견의 해’로 얘기되는 1992년은 바르셀로나 올림픽과 세비아 엑스포가 열려 ‘강국 스페인’으로서의 이미지를 다시금 내세운 해였다. 또한 무르시아 지역 산업 위기로 엄청난 규모의 노동자 시위가 일어난 때였으나 미디어는 ‘잔치’만을 기록하기에 바빴다. 영화는 1992년과 현재를 오가며 무르시아 시내 한 카페에서 다양한 연령대의 사람들이 나누는 대화를 기록한다. 일상 얘기부터 노동조합, 인종 차별, 파시스트, 독재로 이어지는 토론까지 카메라는 화자와 청자를 클로즈업해 보여준다.
Producer
In the South of Spain, a multicolored pigeon race will be won not by the fastest bird, but the one who will be able to seduce a female pigeon and fly alongside her the longest.
Producer
Director
Accompanied by voice-over extracts from Prose du Transsibérien et de la petite Jeanne de France by Blaise Cendrars, Prose of the Trans-Siberian follows the train journey of the same name, via footage shot from a carriage window. These calm and linear images are combined with abstract animation, sometimes geometric, sometimes more organic, expressing the sensations of this journey, of the horizontal shifting, with its tempo, ist pauses, its agitations and the proliferation of thoughts that this particular space-time makes possible.
Producer
The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.
Producer
여름날의 부에노스아이레스, 나른하지만 날이 선 분위기가 감도는 집에서 세 자매 마리나, 소피아, 비올레타가 하루를 시작한다. 사실 얼마 전, 세 자매를 돌보아 주었던 할머니가 세상을 떠났다. 세 자매는 함께, 또한 각자의 방식으로 할머니의 빈자리를 채우며 삶을 이어 간다. 그러던 어느 날, 비올레타가 말도 없이 집을 떠나 버린다. 상실과 부재로 인한 혼란과 불안을 극복하며 삶의 새로운 장으로 나아가려는 세 자매의 이야기를 그리고 있다.
Producer
A film about the return of a woman to a house where a drama took place – the return to her memories, her fears and her intimacy.
Producer
Martina and Sofia are sisters. They wake up one morning in great heat, eat breakfast on the patio and remain there all day watching TV. They eagerly await a call from their mother who lives abroad.
Producer
Short. A remote house in the Cape Cod area, october 1962…
