Production Design
Production Design
Production Design
Rich spinster Berta celebrates her sixtieth birthday. Her faithful admirer Dr. Jelinek proposes. But Berta can not forget Edward, the great love of her life, and refuses the offer…
Production Design
Vlasta Burian jako černý pasažér rozvrátí disciplinovaný chod jednoho nádraží. Pan Ťopka působí dojmem gentlemana trochu chaplinovského typu. Živí se příležitostnou prací, za níž jezdí výhradně jako černý pasažér vlakem. Při jedné jízdě se setká s obávaným generálním inspektorem drah Kokrhelem. Na jedné malé stanici se mu podaří vystoupit a převléknout se do uniformy přednosty stanice. Setkání s inspektorem Kokrhelem se však nevyhne... (oficiální text distributora)
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Production Design
Venice Film Festival 1939
Production Design
When the yacht of her former lover Mario Tudor arrives in Split, widowed Countess de Milesi, plagued by financial troubles, is hell-bent on selling him a fake copy of an expensive painting.
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Production Design
Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, returning to her father's house. One day while bathing in the lake, she meets a young man and they fall in love. The husband has become grief stricken at the loss of his young bride, and fate brings him together with the young lover that has taken Eva from him.
Production Design
Mimi lives with her parents and the maid Fanka in a villa near the forest. One day, a gamekeeper comes to court Mimi when her parents are away.
Production Design
Disillusioned with his marriage which has ended in divorce, Petr Leroy goes off to the Riviera to the place where he first met his wife and where he hopes to be spiritually revived. Here he meets his friend Jan and together they enjoy the joys the Riviera has to offer. Jan meets a charming girl at the casino and he takes her off into the mountains. On his return he speaks of the beautiful Olga with whom he has spent a wonderful three days. Olga, however, does not appear for a meeting they had arranged, so Jan goes to look for her in the mountains. Then he sees her in a village and tries to catch up with her in his car. He has an accident. Olga takes him to the nearest sanatorium where everyone behaves very strangely to the newly-arrived patient.
Set Decoration
Production Design
Directed by Friedrich Feher.
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Set Decoration
Art Designer
St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.
Set Decoration
St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.
Costume Design
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Art Direction
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Art Direction
A wife, bored by her overweight slob of a husband, gives in to the temptation of a slickly seductive poet.