Production Design
Production Design
Production Design
Rich spinster Berta celebrates her sixtieth birthday. Her faithful admirer Dr. Jelinek proposes. But Berta can not forget Edward, the great love of her life, and refuses the offer…
Production Design
Vlasta Burian jako černý pasažér rozvrátí disciplinovaný chod jednoho nádraží. Pan Ťopka působí dojmem gentlemana trochu chaplinovského typu. Živí se příležitostnou prací, za níž jezdí výhradně jako černý pasažér vlakem. Při jedné jízdě se setká s obávaným generálním inspektorem drah Kokrhelem. Na jedné malé stanici se mu podaří vystoupit a převléknout se do uniformy přednosty stanice. Setkání s inspektorem Kokrhelem se však nevyhne... (oficiální text distributora)
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Production Design
Venice Film Festival 1939
Production Design
When the yacht of her former lover Mario Tudor arrives in Split, widowed Countess de Milesi, plagued by financial troubles, is hell-bent on selling him a fake copy of an expensive painting.
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Production Design
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Eva se acaba de casar con un señor mayor, pero descubre que está obsesionado con el orden en su vida y que no tiene mucho espacio para la pasión. Ella se desanima y lo abandona, volviendo a la casa de su padre. Un día, mientras se baña en el lago, conoce a un joven y se enamoran. El marido se ha afligido por la pérdida de su joven esposa, y el destino lo une al joven amante que le ha arrebatado a Eva.
Production Design
Mimi lives with her parents and the maid Fanka in a villa near the forest. One day, a gamekeeper comes to court Mimi when her parents are away.
Production Design
Disillusioned with his marriage which has ended in divorce, Petr Leroy goes off to the Riviera to the place where he first met his wife and where he hopes to be spiritually revived. Here he meets his friend Jan and together they enjoy the joys the Riviera has to offer. Jan meets a charming girl at the casino and he takes her off into the mountains. On his return he speaks of the beautiful Olga with whom he has spent a wonderful three days. Olga, however, does not appear for a meeting they had arranged, so Jan goes to look for her in the mountains. Then he sees her in a village and tries to catch up with her in his car. He has an accident. Olga takes him to the nearest sanatorium where everyone behaves very strangely to the newly-arrived patient.
Set Decoration
Production Design
Directed by Friedrich Feher.
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Set Decoration
Art Designer
St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.
Set Decoration
St. Wenceslas (Czech: Svatý Václav) is a 1930 Czechoslovak historical film about Saint Wenceslas.[2] It was the most expensive Czech film to date,[3] with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.
Costume Design
Lulú (Louise Brooks) es mujer ambiciosa y sin moral que usa a los hombres a su voluntad. Desinhibida y atractiva, el aprovechamiento de sus encantos conllevará también sus peligros. Obra mayor del expresionismo que encumbró a Louise Brooks, una joya del cine mudo que adaptó magistralmente la obra teatral "Lulu" de Wedeking.
Art Direction
Lulú (Louise Brooks) es mujer ambiciosa y sin moral que usa a los hombres a su voluntad. Desinhibida y atractiva, el aprovechamiento de sus encantos conllevará también sus peligros. Obra mayor del expresionismo que encumbró a Louise Brooks, una joya del cine mudo que adaptó magistralmente la obra teatral "Lulu" de Wedeking.
Art Direction
A wife, bored by her overweight slob of a husband, gives in to the temptation of a slickly seductive poet.
