Marius Leftarache

From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century.

An overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire – a popular French character epitomizing the unscrupulous swindler – as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.

All Andrei wants is to leave on a summer camp, together with his friends, once the school year will be over. Meanwhile, his parents are caught up with their divorce.

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

A couple trying to save their marriage during a zombie apocalypse.

A couple trying to save their marriage during a zombie apocalypse.

A couple trying to save their marriage during a zombie apocalypse.

In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

A group of freshmen in an orthodox college are introduced in a world of cons, pleasure and money, but they soon discover that's not the way one's life should be lead.

A group of freshmen in an orthodox college are introduced in a world of cons, pleasure and money, but they soon discover that's not the way one's life should be lead.

Matters of the heart weave themselves into a love pentagon between five actors as they rehearse for a stage play in Bucharest's historic quarter.

One girl. One car. One night. No coincidence.

Three men go into a pub. The first man has too many questions. The second man has the perfect plan. The third man has no chance.

An old solitary woman feels the urge to go outside and feel again.

A first hand account of one of the biggest cases of human trafficking during the Cold War. A story of greed, courage, hope and remorse.

The film tells the story of a man, Mihai, who is going through midlife crisis. After a 15 years marriage, he tries to regain control over his own life and starts an affair. Though Mihai is the main character of the film, he is never seen onscreen, but his personality is shown through his mistress, mother and wife, as well as through gestures and attitude.

Toni Caramusat, a famous film director, is fascinated by the idea of finding the 13th fundamental truth about the Aromanians. According to a myth, this truth is held by Armanamea, the last descendant of this people. Toni goes on dates with young women from all over the world, in hope of finding both the truth and his soul mate. Will he ever find them and, if so, at what cost?

The documentary reveals the lives of three characters, who come from different social groups, and, at the same time, tells the story of a community that tries to adapt in a country with which has shared a common political past.

Two Albanian brothers migrate to Greece and try, each in his own way, to integrate into their host country by following two different lifestyles.

Two hit men wait for their next target in an empty apartment. The hours go by. Little by little, they start losing their patience and their temper. Pretty soon, they may even lose their lives. Killing time can be a deadly affair.

Aron, a 5-year-old boy, sets together with his worried father on a journey at the end of which he wishes, like the superheroes in the comic books, to save his mother suffering from a heart condition.

Edy and Laura are two Bonnie and Clyde wannabees who are making their first robbery attempt, without paying attention at all at the risks involved and the potential fatal outcome.

At the Bucharest Circus, the new young manager is trying to solve the major financial issues of the company by selling its only bear (old and about to die soon) to German hunters. But the artists do not want to sacrifice their favorite animal so the manager decides to steal the bear and run to the mountains to meet the Germans. A crazy road movie starts following the bear.