凌母
Chen’s daughter is returning from the UK after her university graduation. On the weekend of her return, Chen accidentally learns her secret when they are hijacked by two ruffians.
Min, Muzi's Mother
Muzi, 22, comes home to Hangzhou for Chinese New Year, where she plays her roles as a daughter, a half-sister, and a girlfriend. Roaming in this city that feels so familiar yet distant, Muzi searches for a place where she belongs.
Class Teacher
When a white lie leads to unexpected results, Chen Chen and Zheng Yuxing forge a deep friendship and must face the harsh realities of growing up.
Wang Xiangli
The new year is approaching, the middle-aged screenwriter Wang Ziliang (Wu Gang) alone is burdened by layers of stress, dealing with multiple issues such as career, family, and interpersonal relationships, feeling "sad in the new year". The biggest wish of his mother (Wu Yanshu) is to go back to her hometown for New Year's Eve dinner with her four children. However, the complicated adult world involves the children. When mother is injured in an accident, the family's relationship dropped to a freezing point, and the conflicts between the three generations were pushed to the forefront... After choices and trials, the children returned to family's love and realized that "home is where mother is." No matter how difficult life is, there will be no years that can't be passed.
Ding Hongmin
Loosely based on The Tale of Darkness, a traditional song of mourning, the film follows Wang Zhun, a director in search of inspiration for his new script, as he embarks on an unpredictable trek across China’s remote Shennongjia mountains in Hubei province with an urbane producer, Ding Hongmei; a young actor named Bai; and his loyal photographer, Du Chun. The journey delivers a relentless series of unexpected physical hardships and subtle emotional ebbs and flows on the protagonists.
A serial murder case rocks a small town in China's semi-rural Hebei province. The film explores the case from the viewpoint of a teenage schoolgirl, Jing (Su Xiaotong), who becomes entangled with the case while struggling with her own burgeoning sexuality. In the face of police ineptitude and authoritarianism, and the restrictive, conservative mentality of the town's locals, Jing begins to develop her own theory about the case.
Wu Hongyan
Wu Hongyan is a female bailiff in a regional court in West China dealing with women awaiting execution—more often than not, sentenced for crimes of passion. Every weekend, without much luck, she looks for love at the Good Luck Matchmaking dance, until she meets the husband of one of her prisoners.
