Esther Duysker

Movies

Buladó
Writer
Headstrong girl Kenza lives with her father Ouira and grandfather Weljo on a car wrecking yard in the countryside of Curaçao. The two men are opposites that don't particularly attract: Ouira is a determined and rational police officer, while Weljo identifies with the original inhabitants and spirituality of the island. As Weljo wishes to prepare his passing to the world of spirits, the relationship between Ouira en Weljo starts to escalate and the eleven-year-old Kenza searches for her own path in-between the two extremes. The down-to-earth and avoidant mentality of Ouira no longer offers her all that she needs and slowly she opens up to the more mystical and comforting traditions of her grandfather.
Goodbye
Scenario Writer
What do you do if you want to keep reality at a distance? You put a camera in between, just like the boy that unrelentingly lets his camera run at his father’s funeral. His mother can order him to put the thing away as much as she wants, the son keeps capturing what his eyes don’t want to see and his heart doesn’t want to feel. In the process, the handheld perspective also represents the mourning of a child who’d obviously rather play than weep.