Ioana Iacob

From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century.

The undercover investigator Robert is supposed to win the trust of a criminal through a fictitious relationship with Leni. However, the feelings are not just a game. It is the spied criminal, of all people, who makes him confront his contradictory feelings…

The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

The personal story of the young student Felix Goldschmidt, who finds himself arrested for a crime he does not understand, like his fellow prisoners, he believes at first that he the victim of a mistake. But Red Gloves is also a political story, describing how a totalitarian state imposes itself by fear, rooting out individuals almost randomly and demanding their submission. By cutting back to scenes from the old life of Felix, the author manages to achieve balance and contrast with the suffocating atmosphere of the prison. We are shown our hero as an idealistic young man, searching for love and fulfillment.

A moving coming of age story in a time of extreme change: on August 23, 1944 in a small city in Romanian Transylvania, the 16 year old Felix Goldschmidt awaits his classmates for their traditional Exitus Party (school graduation). However, this very day the kingdom of Romania takes leave of its ally of many years - Nazi Germany - thus ending the 800 year old, highly successful story of ethnic German immigration at the feet of the Carpathian Mountains. It is a great story of young people's blindness to the rise of Fascism, the destruction of bourgeois values, a first love and shattered friendships.