Ioana Iacob

안젤라는 다국적 기업이 제작하는 산업 안전 홍보 영상에 출연할 인물을 물색하느라 부쿠레슈티 시내를 밤낮 누빈다. 과로에 시달린 안젤라가 현실의 벽에 부딪힐 때마다 틱톡에 등장하는 ‘부캐’ 보비타는 위악적인 조롱과 혐오 발언을 퍼부으며 스트레스 해소 창구가 되어준다. 전작 〈배드 럭 뱅잉〉(2021)을 통해 증명한 바와 같이, 풍자의 대가 라두 주데는 어지러운 과잉의 이미지와 필터링 없이 쏟아지는 대사의 향연을 통해 우리 사회의 부조리를 냉철하게 통찰하고 강력하게 비판한다. 우여곡절 끝에 적임자가 캐스팅되고 홍보 영상 촬영이 본격적으로 시작되는 후반부, 휠체어에 앉은 노동자의 목소리가 클라이언트의 다양한 요구에 따라 점점 힘을 잃어가고 진실은 마침내 몇 줄의 자막 속으로 사라지는 과정을 목도한다. 이처럼 지구의 종말은 갑자기 찾아오는 재앙이 아니라 우리 안에 자리잡아 자전할 동력을 서서히 앗아가는 것임을, 그리고 이미 진행 중임을 깨닫게 된다.

The undercover investigator Robert is supposed to win the trust of a criminal through a fictitious relationship with Leni. However, the feelings are not just a game. It is the spied criminal, of all people, who makes him confront his contradictory feelings…

The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.

Thomas Brasch was born as a German-Jewish emigrant in England in order to move to the young GDR with his family at the beginning of the 1950s. His father Horst is primarily interested in helping to build the new German state. But Thomas prefers to realize himself as a writer and in doing so discovers his potential as a poetic rebel. His very first play was banned and soon afterwards he lost his place at the film school. When the tanks of the Soviet Union roll through the Czech capital Prague in 1968, Brasch and his girlfriend Sanda and other students try to call for protest in the streets of Berlin - and fail. His own father betrays him to the Stasi and allows Thomas to go to prison. After being paroled, he continues to try his hand at poet writing about love, revolt and death. In the GDR, however, you don't want to have anything to do with someone like him.

In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.

인종청소 운동이 시작될 무렵인 1941년, 루마니아의 장관회의에서 나온 유명한 이야기를 바탕으로 한 무대를 신랄하게 재현하는 동시에, 이를 지켜보는 관객을 날카로운 시선으로 담아낸다.

The personal story of the young student Felix Goldschmidt, who finds himself arrested for a crime he does not understand, like his fellow prisoners, he believes at first that he the victim of a mistake. But Red Gloves is also a political story, describing how a totalitarian state imposes itself by fear, rooting out individuals almost randomly and demanding their submission. By cutting back to scenes from the old life of Felix, the author manages to achieve balance and contrast with the suffocating atmosphere of the prison. We are shown our hero as an idealistic young man, searching for love and fulfillment.

A moving coming of age story in a time of extreme change: on August 23, 1944 in a small city in Romanian Transylvania, the 16 year old Felix Goldschmidt awaits his classmates for their traditional Exitus Party (school graduation). However, this very day the kingdom of Romania takes leave of its ally of many years - Nazi Germany - thus ending the 800 year old, highly successful story of ethnic German immigration at the feet of the Carpathian Mountains. It is a great story of young people's blindness to the rise of Fascism, the destruction of bourgeois values, a first love and shattered friendships.