A Japanese direct-to-video horror film based in an original story by Go Nagai. It is the sequel to Nagai Go no Horror Gekijo: Mannequin, also produced by Taki Corporation and released in 1992.
Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji.
A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..
Eye-popping visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Takeo, a capricious wife from Tokyo high society, is bored by her dull husband, a quiet and reliable company executive raised in the country. After a crisis, she understands better his true value. A parallel sub-plot shows her niece rebelling against the tradition of arranged marriages.
