Dmitriy Andreev

Antonina Miliukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

Antonina Miliukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

In December of 1925, renowned American dancer Isadora Duncan arrives at the Soviet-Latvian border, where she makes arrangements for her lover Yesenin to flee from the USSR. All he has to do is get on the train to Riga. The poet secretly travels from Moscow to snowy Leningrad, where he gets caught up in a crazy whirlwind of events. While trying to evade surveillance by secret services, he has a series of fateful encounters. He finds both solace and despair in the city’s criminal underground. Despite the many obstacles he faces along the way, he remains determined to reunite with Isadora.

When the communist government raises food prices in 1962, the rebellious workers from the small industrial town of Novocherkassk go on strike. The massacre which then ensues is seen through the eyes of a devout party activist.

Ivan Demarin, a young officer of Peter the First’s new guards, follows the Tsar’s order and goes to the frontier town of Tobolsk, deep in the Siberian forest. There Ivan falls in love for the first time and he and his regiment happen to be involved in conspiracy of local princes who hunt for gold in the town of Yarkand. His fort is surrounded by hordes of wild Dzungars and there is no one to call for help…

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.

The historical drama set during the Second World War centres on three people whose paths cross: a Russian aristocratic emigrant and member of the French resistance, a French collaborator and a high-ranking German SS officer.

Yuli Ivanovich Blok is a music lover and enthusiast of early sound recording, who in 1889 was the first to bring Edison's phonograph to Russia, came up with the idea to record the great pianist Anton Rubinstein's playing on a phonograph. But the pianist flatly refused to sign up. Then those present, among whom was Pyotr Ilyich Tchaikovsky, just started messing around with the device, recording everything that comes to mind. The film is based on a famous case that occurred in January 1890.

A story about a friendship between talented famous musician and eleven years old girl.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

A group of journalists are traveling through the different places and different times trying to solve historical mystery.

WWII mini-series

Kostya is 23. He is an underground railway driver’s assistant. One day the doctor says that Kostya has the heart disease: he can die any moment… Kostya decides not to tell anybody about his disease. He tries to live the same way as he lived before his illness was diagnosed. But he keeps thinking about the meaning of life.