Dmitriy Andreev

Antonina Miliukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

Antonina Miliukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

Em dezembro de 1925, a renomada dançarina americana Isadora Duncan chega à fronteira soviético-letã, onde faz arranjos para que seu amante Yesenin fuja da URSS. Tudo o que ele precisa fazer é pegar o trem para Riga. O poeta viaja secretamente de Moscou para a fria Leningrado, onde se vê envolvido em um turbilhão de eventos. Enquanto tenta escapar da vigilância dos serviços secretos, ele tem uma série de encontros fatídicos. Apesar dos muitos obstáculos que enfrenta ao longo do caminho, ele continua determinado a se reunir com Isadora.

Lyudmila é uma executiva e devota do Partido Comunista, que lutou na Segunda Guerra Mundial pela ideologia de Stalin. Certa de que seu trabalho criará uma sociedade comunista, a mulher detesta qualquer sentimento antissoviético. Durante uma greve, Lyudmila testemunhou trabalhadores sendo baleados por ordem do governo, que busca encobrir greves trabalhistas em massa. Após o banho de sangue, quando os sobreviventes fogem da praça, Lyudmila percebe que sua filha desapareceu. Uma fenda aberta se abre em sua visão de mundo.

Um jovem oficial da Primeira Guarda de Pedro I, Ivan Demarin, sob as instruções do czar, é enviado às profundezas da Sibéria - para a fronteira com Tobolsk. Lá, Ivan encontra seu primeiro amor e, junto com seu regimento, se vê arrastado para uma conspiração por príncipes locais, que buscam o ouro de Yarkand. Sua fortaleza é cercada por hordas de selvas selvagens e não há lugar para esperar por ajuda.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

Durante a guerra russo-japonesa, em 1904, Sergey Karenin (Kirill Grebenshchikov), chefe de hospital, descobre que um dos oficiais feridos sob sua supervisão é o conde Vronsky (Max Matveev), a pessoa que arruinou sua mãe, Anna Karenina (Elizaveta Boyarskaya). Agora, ele procura maiores informações sobre o amante da mãe e que razão a levou a desistir da vida.

Durante um terrível período de guerra e de intensos conflitos bélicos, as vidas de três pessoas acabam se cruzando: Olga (Yuliya Vysotskaya), uma aristocrata russa e membro da resistência francesa; Jules (Philippe Duquesne), um francês; e Helmut (Christian Clauss), um oficial de alta patente dentro das tropas nazistas.

Yuli Ivanovich Blok is a music lover and enthusiast of early sound recording, who in 1889 was the first to bring Edison's phonograph to Russia, came up with the idea to record the great pianist Anton Rubinstein's playing on a phonograph. But the pianist flatly refused to sign up. Then those present, among whom was Pyotr Ilyich Tchaikovsky, just started messing around with the device, recording everything that comes to mind. The film is based on a famous case that occurred in January 1890.

A story about a friendship between talented famous musician and eleven years old girl.

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

A group of journalists are traveling through the different places and different times trying to solve historical mystery.

WWII mini-series

Kostya is 23. He is an underground railway driver’s assistant. One day the doctor says that Kostya has the heart disease: he can die any moment… Kostya decides not to tell anybody about his disease. He tries to live the same way as he lived before his illness was diagnosed. But he keeps thinking about the meaning of life.