Tadeusz Kantor

Movies

Ossos
Voz Off
Ossos
Writer
tadeusz.kantor@europa.pl
Writer
Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of ​​his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.
tadeusz.kantor@europa.pl
Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of ​​his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.
The Theatre of Tadeusz Kantor
A unique documentary on the work of a legendary genius of theatre, Tadeusz Kantor. Filmmaker Denis Bablet traces Kantor's roots as a visual artist in Poland and explores his ingenious methods of designing the props which become living sculptures in his extraordinary theatre productions.
The Dead Class
Writer
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production - performed to great critical acclaim, but only rarely seen live by audiences outside Poland - was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
The Dead Class
Himself
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production - performed to great critical acclaim, but only rarely seen live by audiences outside Poland - was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
Kalosze szczęścia
Man at an artist meeting (uncredited)
Somnambulists
Director
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.