Voz Off
Inspirado na “Classe Morta” de Tadeusz Kantor, Ossos é um happening cinematográfico, onde desnudar-se é um caminho para a liberdade e uma afirmação da alegria.
Writer
Inspirado na “Classe Morta” de Tadeusz Kantor, Ossos é um happening cinematográfico, onde desnudar-se é um caminho para a liberdade e uma afirmação da alegria.
Writer
Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.
Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.
A unique documentary on the work of a legendary genius of theatre, Tadeusz Kantor. Filmmaker Denis Bablet traces Kantor's roots as a visual artist in Poland and explores his ingenious methods of designing the props which become living sculptures in his extraordinary theatre productions.
Writer
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production - performed to great critical acclaim, but only rarely seen live by audiences outside Poland - was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
Himself
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production - performed to great critical acclaim, but only rarely seen live by audiences outside Poland - was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
Man at an artist meeting (uncredited)
Director
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.
