An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
While a small-town sheriff investigates a mysterious multiple murder scene, a brilliant young software engineer is bizarrely linked to the crime and to a much bigger conspiracy.
Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.
The true story of fraudulent Washington, D.C. journalist Stephen Glass, who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at The New Republic for three years. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down.
Mysterious cinematographic events unfold in a very neat little space, like a theatre. A ball gets bigger and bigger and then suddenly disappears: there’s a dog a good head or two taller than a child; a young woman miniscule one second is huge the next… We don’t get it, but just enjoy taking part in a phantasmagorical experience like an audience in the early days of cinema, with filmmakers that have made an illusion out of this art.
