An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.
While a small-town sheriff investigates a mysterious multiple murder scene, a brilliant young software engineer is bizarrely linked to the crime and to a much bigger conspiracy.
Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.
Basada en hechos reales, narra la historia de Stephen Glass, un joven y prometedor periodista de Washington que en 1998 cae en desgracia cuando se descubre que se ha inventado la mitad de sus reportajes. Pocos meses después de ser nombrado director de The New Republic, Charles Lane despidió a Stephen Glass, el más joven de sus reporteros, por inventarse un artículo que apareció en la revista con el título "Hack Heayen". Este intrigante artículo, de rabiosa actualidad empresarial, describía con detalle las andanzas de un pirata informático menor de edad, cuyo representante lograba un lucrativo negocio extorsionando a una compañía de software que había sido una de las víctimas del pirata.
Mysterious cinematographic events unfold in a very neat little space, like a theatre. A ball gets bigger and bigger and then suddenly disappears: there’s a dog a good head or two taller than a child; a young woman miniscule one second is huge the next… We don’t get it, but just enjoy taking part in a phantasmagorical experience like an audience in the early days of cinema, with filmmakers that have made an illusion out of this art.