Markus Koob

Movies

Bloodsuckers
Director of Photography
1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.
Freizeit Or: The Opposite of Doing Nothing
Director of Photography
Berlin. Summer 2018. They are 17 years old. The diverse neighborhood they grew up in is one big construction site, where people have to give way to the dreams of others. They drift through the city and wonder how anyone will be able to live in this city in the future. They are always in discussion: about everyday sexism, the individual's responsibility for the system in which we live. What is happening and what should happen is in contradiction, but they keep the faith.
Music and Apocalypse
Assistant Camera
Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.
Die Einzelteile der Liebe
Cinematography
Sophie and Georg once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.
I Was at Home, But...
Gaffer
After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life.
Self-Criticism of a Bourgeois Dog
Cinematography
The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
A Proletarian Winter's Tale
Director of Photography
Three young Georgians have to clean a castle in Berlin, where a German arms manufacturer's art collection is being set up for an exhibition. Of course, the proletariat isn't welcome at the opening party and they are banished to a servants' room in the attic. Downstairs, however, a splendid buffet attracts them - so why not just ignore the unfair prohibition and cross the line of class society? Didn't the French Revolution start over a piece of cake?
At the door
Cinematography
A man comes to pick up his son at his ex wife's house, just like every weekend.
Helene Fischer – Allein im Licht
Director of Photography
La Copiste de Pont-Aven
Director of Photography
Marine, a young painter, creates nothing but reproductions in Pont-Aven, France, where Gauguin once lived and worked. During one day, she paints, sells, drifts through town regarding places and people like tableaus. Different expectations are faced towards her but the film's circular structure leads her to a new morning which might change her routine.