Markus Koob

Filmes

Bloodsuckers
Director of Photography
1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.
Freizeit Or: The Opposite of Doing Nothing
Director of Photography
Berlin. Summer 2018. They are 17 years old. The diverse neighborhood they grew up in is one big construction site, where people have to give way to the dreams of others. They drift through the city and wonder how anyone will be able to live in this city in the future. They are always in discussion: about everyday sexism, the individual's responsibility for the system in which we live. What is happening and what should happen is in contradiction, but they keep the faith.
Music and Apocalypse
Assistant Camera
Phoebe é pesquisadora climática em uma universidade de Berlim. Com o corte do financiamento, sua chefe está mais interessada em lançar uma campanha de marketing de realidade virtual do que qualquer outra coisa. Nada pode pôr em causa a avaliação iminente.
The Components of Love
Cinematography
Sophie and Georg once loved each other, but now they have split up. Almost the entire film takes place in front of the same doorway in Berlin. In an elliptical way, the individual scenes portray a family for whom the word patchwork is the new normal — and take a laconic look at the everyday irrationalities of love.
Eu Estava em Casa, Mas...
Gaffer
Um garoto de 13 anos desaparece, sem deixar vestígios. Após uma semana, ele reaparece no pátio da escola, sujo e diferente. Sua mãe e seus professores podem apenas tentar adivinhar o que ele procurava: uma extrema proximidade com a natureza ou a morte, por causa da recente perda de seu pai. O comportamento do garoto invalida tudo aquilo que, até então, eles tomavam como certo.
Self-Criticism of a Bourgeois Dog
Cinematography
The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
Um Conto de Inverno Proletariado
Director of Photography
Três georgianos precisam limpar um castelo onde a coleção de arte de um fabricante de armas está em exibição. Na festa de abertura, eles são banidos para o sótão, mas no andar de baixo o esplêndido bufê os atrai. Por que não ignorar a proibição injusta e passar do limite da sociedade de classes?
At the door
Cinematography
A man comes to pick up his son at his ex wife's house, just like every weekend.
Helene Fischer – Allein im Licht
Director of Photography
La Copiste de Pont-Aven
Director of Photography
Marine, a young painter, creates nothing but reproductions in Pont-Aven, France, where Gauguin once lived and worked. During one day, she paints, sells, drifts through town regarding places and people like tableaus. Different expectations are faced towards her but the film's circular structure leads her to a new morning which might change her routine.