Pamela Myers

Pamela Myers

Birth : 1947-07-15, Hamilton, Ohio, USA

History

Born in Hamilton, Ohio, Myers made her stage debut in Stephen Sondheim's Company (for which she received a Tony Award nomination) and her television debut with an appearance on Happy Days as Mitzi. Myers appeared in a number of television guest appearances, most prominently as the announcer on Sha Na Na and in a number of different parts on Alice. However, she remained best known for her musical roles.

Profile

Pamela Myers

Movies

Tales of the City: A New Musical
On the bustling streets of 1970s San Francisco, neon lights pierce through the fog-drenched skies, disco music explodes from crowded nightclubs, and a wide- eyed Midwestern girl finds a new home—and creates a new kind of family—with the characters at 28 Barbary Lane. Over three decades after Armistead Maupin mesmerized millions with his daily column in the city's newspapers, detailing the lives and (multiple) loves of Mary Ann, Mouse, Mona, Brian, and their beloved but mysterious landlady Mrs. Madrigal, his iconic San Francisco saga came to life as a momentous new musical at A.C.T.’s Geary Theater.
Six by Sondheim
Self (archive footage)
This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.
Protocol
Gloria
A Washington waitress saves the Emir of Ohtar's life, launching her diplomatic career and a scandal.
Murder in Texas
Mary
Dramatization of the sensational Texas court case of the late '60s involving a noted Houston plastic surgeon accused of doing away with his socially prominent first wife in order to marry someone else.
Original Cast Album: Company
Self / Marta
In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.