Pamela Myers

Pamela Myers

출생 : 1947-07-15, Hamilton, Ohio, USA

약력

Born in Hamilton, Ohio, Myers made her stage debut in Stephen Sondheim's Company (for which she received a Tony Award nomination) and her television debut with an appearance on Happy Days as Mitzi. Myers appeared in a number of television guest appearances, most prominently as the announcer on Sha Na Na and in a number of different parts on Alice. However, she remained best known for her musical roles.

프로필 사진

Pamela Myers

참여 작품

Tales of the City: A New Musical
On the bustling streets of 1970s San Francisco, neon lights pierce through the fog-drenched skies, disco music explodes from crowded nightclubs, and a wide- eyed Midwestern girl finds a new home—and creates a new kind of family—with the characters at 28 Barbary Lane. Over three decades after Armistead Maupin mesmerized millions with his daily column in the city's newspapers, detailing the lives and (multiple) loves of Mary Ann, Mouse, Mona, Brian, and their beloved but mysterious landlady Mrs. Madrigal, his iconic San Francisco saga came to life as a momentous new musical at A.C.T.’s Geary Theater.
Six by Sondheim
Self (archive footage)
This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.
프로토콜
Gloria
평범한 웨이트리스였던 서니 데이비스(골디 혼 분)은 어느날 퇴근 길에 미국을 방문 중인 중동 아랍 소국의 황태자 일행은 구경하다가, 우연히 근처의 암살범이 황태자를 살해하려는 것을 몸으로 막는다. 다행히 둔부에 경미한 총상을 입은 그녀는 일거에 미국의 영웅으로 변한다. 워싱턴의 백악관 관계자는 그녀를 의전 관계 담당으로 채용, 중동 담당을 시키지만 첫날부터 터지는 사고의 연속. 그러나 미국과 아랍소국의 관계가 갑자기 불편해지고, 중동에서의 미국의 전략적 위치가 흔들거리자 그녀는 비밀특사로 아랍소국에 파견된다.
Murder in Texas
Mary
Dramatization of the sensational Texas court case of the late '60s involving a noted Houston plastic surgeon accused of doing away with his socially prominent first wife in order to marry someone else.
Original Cast Album: Company
Self / Marta
In 1970, right after the triumphant premiere of Stephen Sondheim’s groundbreaking concept musical Company, the renowned composer and lyricist, his director Harold Prince, the show’s stars, and a large pit orchestra all went into a Manhattan recording studio as part of a time-honored Broadway tradition: the making of the original cast album. What ensued was a marathon session in which, with the pressures of posterity and the coolly exacting Sondheim’s perfectionism hanging over them, all involved pushed themselves to the limit.