Marie Deroudille

Featuring previously unissued photographs and video archives as well as interviews of his friends and partners in crime, this documentary tells how the kid from the poor suburbs turned superstar photographer. It draws the intimate portrait of the life and work – being so closely interwoven – of and artist fiercely determined to be purveyor of happiness.

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

When Camille's son was killed in a car accident, the devastating loss proved too much for emotionally fragile mother to bear. Now desperately clinging to any reminder of the son she held so close to her heart, Camille becomes increasingly fixated on Frank - the young man who was not only her child's best friend, but the one who was responsible for the tragic accident that took his life as well. At first, Frank is receptive to Camille's advances. It's not long, however, before the pair's scandalous relationship prompts many of Camille's friends to distance themselves from the increasingly unstable woman. Later, as Camille's obsession with Frank turns menacing, the relationship between grief-stricken mother and her guilt-ridden lover begins to take on ominous undertones.

After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.

A young man is walking in a public garden. There are hardly any other people.

In December 1997, Bertrand Tavernier supported a group of undocumented migrants in Lyon who went on hunger strike to protest against the double penalty. An agreement was reached, but the strike resumed a few months later, for lack of a real solution. The director then decides to take his camera and to give a long speech to these men and women that nobody wants to listen to.