Producer
In the Renaissance castle of the Polish count - Jan Potocki - in Lancut, the modern traces of a past glory persevere and become visible again at the tones of Krzysztof Penderecki's music and Brothers Quay's imaginary animation.
Writer
A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.
Director
A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.
Production Design
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
Writer
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
Director
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
