Producer
얀 포토츠키는 폴란드의 전설적인 인물로 귀족이었고, 장군이었으며, 대중적인 작가였다. 그의 영광의 흔적이 서려 있는 란추트 성. 성은 낮에는 남겨진 유물과 초상을 보며 그를 기리고, 밤이 되면 우울증으로 자살한 포토츠키의 유령을 불러낸다.
Writer
A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.
Director
A bicycle race between competitors ends up not with a winner, but with a seemingly never finishing loop.
Production Design
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
Writer
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
Director
An angel appears above a gray, large-panel housing estate. He is noticed by a violinist and a party dignitary. For the musician, the angel is a source of inspiration; for the man of power - a pretext for a cynical political game.
From the very beginning, the artist used a combined technique, manipulating shots and graphics. The angel and the masked man with a sack on his back appear in other films created by Serafinski. The angelic ideal is tainted by the society and politics, the masked thief passes by unnoticed. The exchange of elites and masking the cynicism of the government with ostentatious religiosity turned out to be a self-fulfilling prophecy.
