Carlos García

A young woman, Ida, has disappeared without a trace. In an empty apartment in Copenhagen, Sander is kept locked up. Here he is voluntarily filmed and interrogated by two men; Ida's father and brother. It turns out that Ida, long before her disappearance, lived a secluded life with Sander, isolated from the community – in the middle of the city. But Sander does not tell the whole truth.

In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.

In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.

After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.

The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.

The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

A terrible industrial accident changes little Dinki's life forever. Now Dinki's fate may ride on the wings of her eccentric friend Birdboy, a misfit who hides in the forest lost in his fantasies.

Food, glorious food! Some of the most sumptuous and involving films revolve around that most common of acts: eating. 18 MEALS is an omnibus film of criss-crossing stories divided into three segments; breakfast, lunch and dinner. Jorge Coira's debut feature, shot over nine days in Santiago de Compostela has enough tasty portions to please audiences. Amongst Coira's expansive ensemble are aging street musician Edu, a pair awaking from a one-night stand, a businessman visiting his closeted homosexual brother and a lonely housewife, Sol. Victor and Sol are two of 18 MEALS' most fascinating characters as they each hide something - his sexuality, her depression - from those around them. Best of all is Pedro Alsono as Vladimir, a local celebrity actor who makes a meal for a mystery woman who never arrives. Who hasn't gone to a lot of trouble to do something extra special for someone just to have it go unappreciated?

Born in a lonely wasteland, three characters live together: a man, a lame girl and an old man. An invisible premonition haunts the place and the characters who live in it. The man and the girl decide to leave; one of them stays: the old one. The characters flee to a place without a destination, a place that they themselves do not know what it is. The old man, alone, under those black hills, decides to make a resolution before that place and before himself.