Raymond Dumas

Michael Jennings is a genius who's hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he's incapable of breaching security. But at the end of a three-year job, he's told he isn't getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn't paid – and why he's now in hot water.

A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

Ukrainian-Canadian Ted Baryluk's grocery store has been a fixture in Winnipeg's North End for over 20 years. In this photo study, Ted talks about his store, the customers who have come and gone and the social changes his multicultural neighbourhood has seen. But most of all he wonders what will become of his store after he retires. He hopes his daughter will take over, but she wants to move away. The film is a wistful rendering of a shopkeeper's relationship with his daughter and a fascinating portrait of a neighbourhood and its inhabitants.

This feature film is a portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term "documentary film."

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.