Storyboard Artist
가까운 미래, 천재 공학자 마이클 제닝스는 각종 회사의 일급 프로젝트를 수행하고 있다. 한가지 프로젝트가 끝나면 기밀유지를 위해 그의 기억은 지워진다. 최근 3년간의 거대 프로젝트로 44억달러라는 엄청난 액수를 받기로 되어있었던 제닝스. 하지만 그에게 돌아온 것은 알 수 없는 물건들이 감겨있는 봉투 하나 뿐... 이에 대해 자신도 동의했다는 이해할 수 없는 사실, 그리고 주변을 맴도는 연방 요원과 회사 직원들... 제닝스는 이 사건이 단지 자신의 보수만의 문제가 아니라는 것을 느끼고, 동료이자 연인인 레이첼의 도움을 받아 과거 거억의 조각들을 맞춰나가기 시작한다. 그에게 남겨진 유이라한 단서는 봉투안에 들어있던 19개의 물건들 뿐이다. 시시각각 조여 오는 추격의 그림자, 살아 남기 위해선 기억해야만 한다! 정해진 시간 안에, 조직이 그를 제거하기 전에...
Camera Operator
A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.
Animation
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
Animation
Ukrainian-Canadian Ted Baryluk's grocery store has been a fixture in Winnipeg's North End for over 20 years. In this photo study, Ted talks about his store, the customers who have come and gone and the social changes his multicultural neighbourhood has seen. But most of all he wonders what will become of his store after he retires. He hopes his daughter will take over, but she wants to move away. The film is a wistful rendering of a shopkeeper's relationship with his daughter and a fascinating portrait of a neighbourhood and its inhabitants.
Animation Director
This feature film is a portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term "documentary film."
Cinematography
This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
