The heartwarming story of a fakir named Lalon Kar that traces his journey from being a family man to a wandering minstrel and how he spread the message of love everywhere. Note: Though poster art is in color, the movie is B&W. And while released in '87, it had to have been filmed in '84 or earlier, since Baran died in Nov 1984
Director
After being released from jail, Shyamu returns home to his village and his home to his mom, and blind sister, Radha. Shyamu and his mom try to get Radha married, but in vain, as no one wants to marry blind woman. Shyamu takes Radha for treatment to Dr. Ashok, who assures them that her vision can be restored, and the cost is around Rs.5000/-. Shyamu come up with the money, and soon Radha gets her eyesight back. One day, Shyamu rescues a beautiful young woman, Seema, from being raped by Gangu, takes her home, nurses her, and falls head-over-heels in love with her. He hopes to marry her. His mother is thrilled and plans the marriage of both Shyamu and Radha. But there is a hitch in the plans. Seema loves another man - a man to whom Shyamu is indebted to for life. Will this man permit Shyamu to marry Seema?
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.
Shashanka
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art. But over time a sexual attraction develops, with heartbreaking results.
Binode
Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.
