Cheng Long

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Three best friends who are barely getting by as fishermen seek their fate in 1930s Shanghai. Upon arriving in the bustling city, the naïve trio gradually find their innocence corrupted as they fall into the deepest depths of the criminal underworld.

During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.

Takada, a Japanese fisherman has been estranged from his son for many years, but when the son is diagnosed with terminal cancer his daughter-in-law, Rie, summons him to the hospital. Through a series of obstacles and relationships, he is brought unexpectedly closer to both an understanding of himself and of his son.

Main Characters/Performers: 1. Xiao Mei - first appearing as new star dancer in lavish Peony Pavilion brothel, Mei is believed to be the blind daughter of a rebel group's recently assassinated leader- played by Zhang Ziyi . 2. Jin - police captain in the ruling Tang emperor's service, enlisted by his superior Leo to play the role of double agent by helping Mei escape and getting her to lead him - and government troops - to the rebel stronghold - played by Takeshi Kaneshiro. 3. Leo - introduced as a high ranking policeman in the Tang emperor's service, Leo turns out to a mole planted years earlier by the rebels working to overthrow the corrupt ruling Tang government - played by Andy Lau.

In 9th century China, a corrupt government wages war against a rebel army called the Flying Daggers. A romantic warrior breaks a beautiful rebel out of prison to help her rejoin her fellows, but things are not what they seem.

Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.