Editor
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Editor
Three best friends who are barely getting by as fishermen seek their fate in 1930s Shanghai. Upon arriving in the bustling city, the naïve trio gradually find their innocence corrupted as they fall into the deepest depths of the criminal underworld.
Editor
唐王朝滅亡後、王家には悪意と策謀が満ちていた。王は妃に毒の入った薬を飲ませ、妃は衰弱の一途を辿る。一方、皇太子には想いを交わす娘がいたのだが……。巨匠チャン・イーモー監督作。
Editor
長年疎遠だった息子が病気で倒れたとの急報を受け、上京した高田剛一。そこで剛一は、息子の余命はあとわずかで、ライフワークにしていた中国の仮面劇の実地調査がもはや続けられないのを本人は心残りにしている、と息子の嫁の理恵から知らされる。かくなる上は、息子に代わって自分が中国に渡り、雲南省の村にいるという名優が演じる仮面劇「単騎、千里を走る。」をカメラに収めて、息子に見せてやろうと剛一は決意する。
Editor
Main Characters/Performers: 1. Xiao Mei - first appearing as new star dancer in lavish Peony Pavilion brothel, Mei is believed to be the blind daughter of a rebel group's recently assassinated leader- played by Zhang Ziyi . 2. Jin - police captain in the ruling Tang emperor's service, enlisted by his superior Leo to play the role of double agent by helping Mei escape and getting her to lead him - and government troops - to the rebel stronghold - played by Takeshi Kaneshiro. 3. Leo - introduced as a high ranking policeman in the Tang emperor's service, Leo turns out to a mole planted years earlier by the rebels working to overthrow the corrupt ruling Tang government - played by Andy Lau.
Editor
唐王朝がその衰退を呈していた9世紀中頃の中国では、政治の腐敗から国内各地に反政府組織が乱立していた。飛刀門という反乱組織を討伐するよう命を受けた捕吏の劉は、美しい盲目の踊り子・小妹を反乱組織の前頭目の娘と目して捕らえ、組織の情報を白状させようとする。口を割らない小妹を組織の一員であると確信する劉は、同僚の捕吏の金に小妹を救出させ、逃亡の行方を追って組織の拠点をつきとめようと策をたてる。金は小妹を牢から救いだし共に逃避行の旅を続け、劉も2人の後を追う。2人の男と1人の女のあいだには、それぞれの策略と思惑と愛とが交じり合い、壮絶な最後に導かれて行く。
Writer
Co-Editor
Marlon E. Fuentes' Bontoc Eulogy is a haunting, personal exploration into the filmmaker's complex relationship with his Filipino heritage as explored through the almost unbelievable story of the 1,100 Filipino tribal natives brought to the U.S. to be a "living exhibit" at the 1904 St. Louis World's Fair. For those who associate the famous fair with Judy Garland, clanging trolleys, and creampuff victoriana, Bontoc Eulogy offers a disturbing look at the cultural arrogance that went hand-in-hand with the Fair's glorification of progress. The Fair was the site of the world's largest ever "ethnological display rack," in which hundreds of so-called primitive and savage men and women from all over the globe were exhibited in contrast to the achievements of Western civilization.
