Skalde lives in a small rural community, far from a world that may no longer exist. She is an interloper in her own home, having been born to an ‘outsider’ mother and therefore marked by a social stigma she cannot easily erase. Displaying a loyalty to the codes of the community, she has earned the respect of the village elder. However, when she encounters a mysterious girl in the local woods, Skalde risks everything by befriending her, eventually giving the girl a home. She attempts to hide her subterfuge to maintain her standing with the villagers, but her plans threaten to unravel.
A family reunion aboard a ship becomes a turning point in the life of 39-year-old engineer Markus. When his son Adam (4) gets a little cut after going to the bathroom with his grandmother Renate, Markus recalls for the first time what his mother did to him when he was a little boy. Markus and his wife Monika find themselves confronted with an ugly truth of the kind you wouldn’t think a mother capable of.
Lena is happily married. From the strange man in the S-Bahn but such a pull goes out that she gets involved in a spontaneous infidelity. The stranger, Martin, also thought that the marriage with his wife was completely safe. Nevertheless, what should actually be written off as an adventure between Lena and Martin is becoming the projection screen for newly created needs and longings. Lena and Martin can not let go of each other.
Upon being informed that he is fatally ill with cancer, Max, who works at a used car store, steals money which his boss has gained through illegal means. When fleeing from the scene of the crime Max crashes his car. He is pulled unconscious from the destroyed vehicle by a homely young woman, Emma, who lives alone on a farm where Max decides to stay in order to hide from the police and his boss.
Dear Video is a black epistolary comedy which stars some of the finest actors from the former Yugoslavia. The film is constructed around the video 'correspondence' between two branches of a family, one living in Germany and pursuing 'modern' life and the other one living in a little village in Yugoslavia clinging to tradition. Through the home video 'letters' sent back and forth, petty jealousies, love liaisons and financial squabbles drive the family to the brink of war, a situation that reflects the collapsing state of affairs in what was then Yugoslavia.
