Tatsuo Suzuki

The film is about poor children and 'The Kids' Diner', a place where they can go to get free or cheap food.

Katagiri, a highly ambitious young detective, teams up with older detective Takiguchi, who is about to retire, to investigate a murder that took place by Sumida River. Katagiri is annoyed by Takiguchi's pushiness, but is surprised to hear that the victim was a suspect in the 300 million yen robbery.

A young tofu maker, Eikichi comes from Kyoto to open a tofu shop in a friendly neighborhood. He meets there a feisty local girl Ofumi who befriends him as he sets up his shop, Kyo-ya and in spite of the difficulties stemming from cultural differences between the two ancient capitals including the favored taste of tofu itself, they eventually marry and become the owner of a tofu shop on a more respectable street. Behind the rock-solid business of Kyo-ya, their son, Eitaro bears the brunt of other tofu shops' animosity toward Kyo-ya's refusal to comply with Edo's way of running business and starts to frequent a gambling hall run by the mysterious "Boss", which throws the family into a critical situation that threaten to pull them apart...

Shinku is a compelling drama that focuses on the strange relationship that develops between two people who find their lives irrevocably changed as a result of a horrible multiple homicide. The first person traumatized is the lone survivor of the terrible family bloodbath, a girl who grows up to be a pretty college student. The second person affected by this heinous crime is the daughter of the murderer, a young girl who ends up becoming a tattooed bartender. A full decade after the crime, the killer is finally going to be executed, and the surviving member of the massacre decides to reach out and befriend the murderer's daughter. A tentative, odd sort of friendship blossoms between these two people, both of whom seem to have little in common personally, and every reason in the world for not wanting to meet. Yet they do, but not without reservations. And really, is this friendship quite what it seems? Or is it all part of some twisted plan for vengeance?

Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.

A foreign spy using the Sorge alias is assigned to Tokyo the capital of Japan just prior to the outbreak of World War II and in the midst of the Japanese imperial ambitions in Eastern Asia. The spy becomes acquainted with a sympathetic communist who like he is attached to the ideals of freedom and rule of the masses. Sorge is able to feed the Soviet Union useful information regarding the Axis allies and their movements in Asia and beyond.

Based on the ancient Japanese Tale of Genji. This film is set in 900AD and tells the story of a famous female writer of the time, Murasaki Shikibu. Her story begins from the death of her husband, a Japanese noble, then moves on to her recruitment to train the Prince's young 'wives in waiting'. It is dotted throughout and actually composed mainly of one of the fictional stories she wrote, the tale of Genji. Genji is a rich playboy who falls in love and has a son to his stepmother. He falls in love often and has many wives whom are all completely subservient to him. Genji is played by a woman actress from the all-female Takarazuka theatre. The two interrelating stories are also interrupted occasionally by fantasimical musical clips from a past Japanese teen-idol, Seiko Matsuda.

Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever

As the great military commander Nobunaga Oda was consolidating his power across Japan, one of his actions was to wipe out a clan of assassins, killing every man, woman and child he found in the village. Years later, one of the survivors has hired a young but skilled assassin to avenge the deaths of his friends and family. His mission: to sneak into the most heavily guarded castle in Japan, and kill the supreme ruler of the country.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

This non-narrative film depicts the routines of a girls' basketball team in a junior high school near Tokyo. Shot with a stationary camera, it consists of six ten-minute segments, some of which show the girls' routine exercises, others of which are choreographed.

After the 1995 Kobe earthquake, a writer remembers travelling with his family to bury his brother after World War II.

A crippled kabuki player is taken into a strolling company of itinerant actors. An influential publisher notices his honest, bold drawings, and nurtures him despite persecution and betrayal. The film explores the eternal relationship between artist and producer, and describes the emanicipation of a man who refuses to let himself become the plaything of power and money.

In the midst of a bad economy, Yokoyama, the vice president of Taiyo Real Estate, launches a plan to cut back on his labor force. Fifty employees are segregated into a special assignment division and given an ultimatum: meet a sales goal of 1.5 billion yen within three months or be fired. Spiteful of their unjust treatment, two men, Shinoda and Takigawa, take up the battle against the ruthless Yokoyama.

Tatsuya is on a honeymoon in Australia. A couple of unfortunate encounters land him in jail, where he’s imprisoned without a chance of ever getting out again. His wife tries her best to launch an appeal, but it’s Tatsuya’s inmates who are his best chance of escaping his current predicament.

Koji Wakamatsu adapted the Kouhei Tsuka's play of the same name into a human comedy about the members of a traveling acting troupe.

A successful office lady, who has made herself sexually available to a doctor, has her routine disrupted when her former boyfriend's son appears in her life. She is not connected to the boy, but his father has been in an accident.

An anthology exploring the meaning of the Japanese greeting goaisatsu.

A story of childhood life during wartime Japan. Takeshi, the intelligent son of a fisherman, is the schoolyard bully. When his cousin comes to stay with his family to avoid bombing raids, Takeshi at first treats him well, then begins bullying him too. Takeshi eventually loses his position of leadership.

Actress Moeko comes to Singapore to look for Kariya, the man she loves. She checks in at Raffles Hotel and finds out that he lives in a big house with his wife and children. In the darkness, Moeko suddenly stands in front of Kariya with a camera in her hands. The shutter's sound resounds through the room. When it fades away, Moeko has vanished...

A young man kills his bride on the day of his marriage and goes insane. He wakes up in an asylum with no memory, left in the hands of two mysterious doctors who relate his condition with his biological identity.

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

Based on a true story. Shiro, a dog who lives in an inn on Akajima in Okinawa, swims to the opposite shore on Zamami to see his love, a dog named Marilyn. Shiro is portrayed by the real-life Shiro.

Heartbroken Ukiko takes refuge with a relative after a devastating breakup. While away, she makes a dangerous match with the husband of her frigid cousin.

A made man during the height of Hiroshima's yakuza turf war must maneuver through the violence and betrayal inside the criminal underworld.

A 19-year-old girl Hiroko Terasawa working in a matching agency promises her client Masakazu Sekine that she'll pose as his fiancée for a remarkable cash reward. Hiroko moves to Sekine's mansion and prepares to attend the family's meeting. However, this only turns out to be a prelude of a bloody fight over the family's legacy.

A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

In Okinawa, a Japanese-Filipino gangster named Joe kills an Okinawan mobster. Joe temporarily escapes the pursuing mob by fleeing to the Philippines, hoping to find there safety and perhaps to link up with his father. He meets Yoko, a saloon girl, who looks after him, but soon Joe's enemies show up, determined to make Joe pay.

When the patriarch of Japan's most powerful yakuza family is shot, his wife is left to pick up the pieces and carry on the legacy.

A girl named O loves a rich, and much older man. She is subjected to a variety of humiliating experiences to prove her unconditional obedience to him in a chinese brothel. A poor boy sees her and falls in love with her. To get the money needed to sleep with her, he takes part in rebellious acts.

Intellectual collegue professor Sasa becomes obsessed with beautiful Sugiko, a virgin. Eventually, luring her to a love hotel.

A high school science teacher is the butt of all his students' jokes, until their bus is hijacked on a school trip. But something more sinister lurks beneath the surface: he's building an atomic bomb in his apartment.

Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?

Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious.

In the midst of a match, a successful boxer - Hayato, has had enough of the sport. He lets himself get knocked, quits boxing, leaving his wife and start living alone with his mangy dog. One day a young mediocre boxer knocks at the door and wants to be Hayatos apprentice.

As a family goes on with their day, the shadows on their walls lead a completely different life.

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.

Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.

Tateo, young and neurotic, wishes to leave the village his mother has raised him in.

A mountain man beheads his many wives to prove his love to an alluring woman he meets in an enchanted forest.

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.

A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.

Lady Snowblood is caught by the police and sentenced to death for her crimes. As she is sent to the gallows she is rescued by the secret police who offer her a deal to assassinate some revolutionaries.

A dreamlike portrayal of a hangover after a decadent party.

A freestyle, imagined telling of the life of shaman queen Himiko, who falls in love with her half-brother, making her powers weaken thus putting her position to risk.

Three showgirls playfully mock the audience for attending a projection of an art film.

A young outlaw can’t escape his rebellious past despite connections to a well to do family.

Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that for him to keep her, her debt is exactly 100 ryo.

An electrifying journey into the nether regions of the late-‘60s Tokyo underground. A loose adaptation of Oedipus Rex in which a gay son kills his mother and sleeps with his father.

Japanese fishery instructor Akira is attracted to beautiful Cuban young girl Martia. Though initially rejected, Akira still returns with Martia to her homeland. On the way he sees a post-revolution Cuba, cultivating fields, relics from the revolution, armies in training, and Castro in a political rally.

Documentary about the relationships between mothers and their children.

A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.

Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters a strange and beautiful young woman

Following the journey of a caterpillar along the Japanese islands from Nagasaki to Hokkaido, this allegorical and oblique first feature film by Kuroki depicts in exquisite images a series of encounters and life's turning points.

Struggling with his true emotions, dreams, memories of the past and the reality Shizuo is about to marry, but is torn between his wife-to-be and the love to his mother.

Japanese documentary from 1964 directed by Noriaki Tsuchimoto. The film focuses on the taxi drivers of Tokyo in the year before the Tokyo Olympics and the difficulties they face: construction obstructing traffic, poor working conditions, numerous accidents, and bad pay. It becomes a critique of a changing and modernizing urban Japan.