Tatsuo Suzuki

The film is about poor children and 'The Kids' Diner', a place where they can go to get free or cheap food.

Katagiri, a highly ambitious young detective, teams up with older detective Takiguchi, who is about to retire, to investigate a murder that took place by Sumida River. Katagiri is annoyed by Takiguchi's pushiness, but is surprised to hear that the victim was a suspect in the 300 million yen robbery.

A young tofu maker, Eikichi comes from Kyoto to open a tofu shop in a friendly neighborhood. He meets there a feisty local girl Ofumi who befriends him as he sets up his shop, Kyo-ya and in spite of the difficulties stemming from cultural differences between the two ancient capitals including the favored taste of tofu itself, they eventually marry and become the owner of a tofu shop on a more respectable street. Behind the rock-solid business of Kyo-ya, their son, Eitaro bears the brunt of other tofu shops' animosity toward Kyo-ya's refusal to comply with Edo's way of running business and starts to frequent a gambling hall run by the mysterious "Boss", which throws the family into a critical situation that threaten to pull them apart...

Shinku is a compelling drama that focuses on the strange relationship that develops between two people who find their lives irrevocably changed as a result of a horrible multiple homicide. The first person traumatized is the lone survivor of the terrible family bloodbath, a girl who grows up to be a pretty college student. The second person affected by this heinous crime is the daughter of the murderer, a young girl who ends up becoming a tattooed bartender. A full decade after the crime, the killer is finally going to be executed, and the surviving member of the massacre decides to reach out and befriend the murderer's daughter. A tentative, odd sort of friendship blossoms between these two people, both of whom seem to have little in common personally, and every reason in the world for not wanting to meet. Yet they do, but not without reservations. And really, is this friendship quite what it seems? Or is it all part of some twisted plan for vengeance?

Based on a play by Hisashi Inoue, it focuses on the sufferings of the survivors of Hiroshima. The film takes place during 4 days in the summer of 1948, as the ghost of her father visits Mitsué (Rié Miyama). He had somehow learned that she has fallen in love, and tries to convince her to start her new life. But Mitsué obstinately refuses his warm and humorous encouragements : « People were killed in my place. I do not have the right to find happiness », she says.

Spy Sorge cuenta la vida del espía soviético Richard Sorge, cuya infiltración en la embajada alemana de Tokyo proporcionó a Stalin información sobre los planes del Eje durante la década de los 30 y los primeros meses de la Segunda Guerra Mundial.

Adaptación de la novela japonesa del s. XI «Genji Monogatari». El principe Genji es un hombre querido por todo el mundo pero que a su vez él sólo ama a su madrastra, Fujitsubo. Hasta que encuentra a una joven, Murasakinoue, muy parecida a Fujitsubo. Genji decide en ese momento que la moldeara como su mujer ideal...

Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever

Japón, mediados del siglo XVI. El general Toyotomi Hideyoshi está consolidando el gobierno del pais. Oda Nobunaga arrasa el pueblo de Iga (conocido como “la tierra escondida”), temeroso de las conspiraciones y el poder que puedan tener los ninjas que viven allí. Sin embargo hay supervivientes…y pasarán 10 años antes de que comiencen su venganza.

Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.

This non-narrative film depicts the routines of a girls' basketball team in a junior high school near Tokyo. Shot with a stationary camera, it consists of six ten-minute segments, some of which show the girls' routine exercises, others of which are choreographed.

Un jornalista en el terremoto de Kobe en 1997 recuerda un viaje que hizo cuando era un niño junto con su familia. En él, navegó desde Awaji hasta Beppy para enterrar las cenizas de su hermano mayor, asesinado en la recién terminada II Guerra Mundial.

Después de un accidente, Tonbo se ve obligado a trabajar fuera del teatro. Es entonces cuando da rienda suelta a su otra pasión, la pintura. Ante la aparición de numerosos grabados bajo el nombre de Sharaku, los mayores pintores de la época se preguntan quién está detrás de estas genialidades.

In the midst of a bad economy, Yokoyama, the vice president of Taiyo Real Estate, launches a plan to cut back on his labor force. Fifty employees are segregated into a special assignment division and given an ultimatum: meet a sales goal of 1.5 billion yen within three months or be fired. Spiteful of their unjust treatment, two men, Shinoda and Takigawa, take up the battle against the ruthless Yokoyama.

Tatsuya is on a honeymoon in Australia. A couple of unfortunate encounters land him in jail, where he’s imprisoned without a chance of ever getting out again. His wife tries her best to launch an appeal, but it’s Tatsuya’s inmates who are his best chance of escaping his current predicament.

Koji Wakamatsu adapted the Kouhei Tsuka's play of the same name into a human comedy about the members of a traveling acting troupe.

A successful office lady, who has made herself sexually available to a doctor, has her routine disrupted when her former boyfriend's son appears in her life. She is not connected to the boy, but his father has been in an accident.

An anthology exploring the meaning of the Japanese greeting goaisatsu.

Durante la II Guerra mundial, los bombardeos en las ciudades japonesas provocan el éxodo de gran parte la población, desplazada hacia el medio rural y provocando el encuentro entre ambas comunidades, rural y urbana. Shinji, un niño evacuado desde Tokio, conoce de esta manera a nuevos amigos en el campo.

Actress Moeko comes to Singapore to look for Kariya, the man she loves. She checks in at Raffles Hotel and finds out that he lives in a big house with his wife and children. In the darkness, Moeko suddenly stands in front of Kariya with a camera in her hands. The shutter's sound resounds through the room. When it fades away, Moeko has vanished...

Un hombre es llevado a una institución mental después de intentar asesinar a su novia. Dos médicos dicen que su problema se debe a que los defectos mentales se transmiten de generación en generación.

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

Based on a true story. Shiro, a dog who lives in an inn on Akajima in Okinawa, swims to the opposite shore on Zamami to see his love, a dog named Marilyn. Shiro is portrayed by the real-life Shiro.

Heartbroken Ukiko takes refuge with a relative after a devastating breakup. While away, she makes a dangerous match with the husband of her frigid cousin.

A made man during the height of Hiroshima's yakuza turf war must maneuver through the violence and betrayal inside the criminal underworld.

A 19-year-old girl Hiroko Terasawa working in a matching agency promises her client Masakazu Sekine that she'll pose as his fiancée for a remarkable cash reward. Hiroko moves to Sekine's mansion and prepares to attend the family's meeting. However, this only turns out to be a prelude of a bloody fight over the family's legacy.

Su-e (Mayumi Ogawa) y su primo Sutekichi (Tsutomu Yamazaki), quieren vivir juntos, pero su padre les prohibe tener contacto sexual. Al igual que otros lugareños, creen que si tienen hijos primos juntos, los niños sufrirán graves defectos de nacimiento. Su remedio es escapar con Su-e. Después de algún tiempo transcurrido, los dos hacen el camino de regreso a la aldea, pero para entonces Sutekichi sufrirá los efectos de sus acciones.

In Okinawa, a Japanese-Filipino gangster named Joe kills an Okinawan mobster. Joe temporarily escapes the pursuing mob by fleeing to the Philippines, hoping to find there safety and perhaps to link up with his father. He meets Yoko, a saloon girl, who looks after him, but soon Joe's enemies show up, determined to make Joe pay.

When the patriarch of Japan's most powerful yakuza family is shot, his wife is left to pick up the pieces and carry on the legacy.

Secuela espiritual de "La historia de O". “Les Fruits de la Passion” es un melodrama erótico ambientado en el Hong Kong de los años 20. Kinski, un europeo decadente con negocios en la ciudad, envía a su mujer a un burdel para profundizar en su amor física y espiritualmente. El tema de la sumisión, del sufrimiento y la ofensa que aparecían en la cinta de 1975 son retomados aquí, en cuyo burdel de fantasía se muestran viñetas de tortura, fetichismo y perversiones diversas. “O” debe renunciar a cualquier deseo para amar completamente a Sir Stephen, quien se deleita martirizándola mostrándole como ama también a otra mujer, Nathalie, interpretada por Arielle Dombasle. El trío se rompe cuando un cuarto personaje, un joven que envía flores a la bella encarcelada, se introduce entre la pareja protagonista para hacer suya a “O”.

Intellectual collegue professor Sasa becomes obsessed with beautiful Sugiko, a virgin. Eventually, luring her to a love hotel.

A high school science teacher is the butt of all his students' jokes, until their bus is hijacked on a school trip. But something more sinister lurks beneath the surface: he's building an atomic bomb in his apartment.

Película compuesta por tres historias. En la primera, un náufrago llega a una isla paradisíaca y encuentra una mujer semidesnuda, juguetona y complaciente. En la segunda, un adolescente intenta recordar la letra de una canción de cuna, lo cual le conduce a fantasías sexuales y edípicas. En la tercera, un hombre rico en el París del siglo XIX contrata a una prostituta por una sola noche.

Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious.

In the midst of a match, a successful boxer - Hayato, has had enough of the sport. He lets himself get knocked, quits boxing, leaving his wife and start living alone with his mangy dog. One day a young mediocre boxer knocks at the door and wants to be Hayatos apprentice.

As a family goes on with their day, the shadows on their walls lead a completely different life.

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.

Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.

Tateo, young and neurotic, wishes to leave the village his mother has raised him in.

Una bella mujer de ciudad es raptada por un bandido que acaba enamorándose de ella. Tras el secuestro, el bandido tratará de cumplir todos los deseos de su presa, pero los caprichos de la mujer son cada vez más descabellados.

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two.

Un chico decide escapar de su casa con la mujer de su vecino porque está enamorado de ella.

Esta secuela nos muestra a Yuki unos años después. El sacerdote Doukai ha muerto y ella es una proscrita perseguida. La historia gana en complejidad, ya que al ser finalmente capturada y sentenciada a la horca, Yuki es rescatada por unos sospechosos personajes enmascarados que en el más puro estilo “Nikita” le ofrecerán salvar la vida a cambio de espiar a un anarquista, en cuyo poder se encuentra (o se encontrará) una carta que revela los trapos sucios de importantes cargos políticos.

A dreamlike portrayal of a hangover after a decadent party.

Basada en antiguas leyendas japonesas, la película describe la vida de Himiko, emperatriz que gobernó el Antiguo Japón durante el siglo III, y la religiosidad de la sociedad japonesa de esta época.

Three showgirls playfully mock the audience for attending a projection of an art film.

A young outlaw can’t escape his rebellious past despite connections to a well to do family.

Un samurai ronin solo vive para poder consumar su sed de venganza contra aquellos que le despojaron de cuanto le rodeaba. Un estudio acerca de cómo la manipulación y los sentimientos interesados pueden llevar a un hombre a perder todo ideal. Un inusual chambara, cercano al cine experimental, firmado por uno de los nombres claves de la Nueva Ola Japonesa.

La traidicional sociedad nipona también ha ofrecido una gran película, la experimental de Toshio Matsumoto que se centra en la vida de los transexuales de Tokio durante los años 60.

Japanese fishery instructor Akira is attracted to beautiful Cuban young girl Martia. Though initially rejected, Akira still returns with Martia to her homeland. On the way he sees a post-revolution Cuba, cultivating fields, relics from the revolution, armies in training, and Castro in a political rally.

Documentary about the relationships between mothers and their children.

Una mujer casada deja a su amante hacerle fotos de desnudos. Las fotos terminan en manos de un hombre que empieza a chantajear a la pareja.

Un hombre joven regresa a la isla en la que fue torturado cuando era niño. Fue enviado allí para que no revelase la identidad del policía militar que asesinó a su familia. Durante 20 años ha planeado la venganza contra el sádico guardián que torturaba a los castigados en la isla. Una vez allí, conoce a la hija del guardián, que le asegura que su padre ha cambiado por completo.

Un chico del Norte de la isla de Hokkaido caza una mariposa de Nagasaki que solo aparece en el Sur del archipielago. Sus profesores creen que ha comprado el insecto en una tienda y le acusan de haber engañado. Mientras, una larva de la misma mariposa comienza un a veces cómico y siempre improbable viaje desde el Sur hasta el Norte. En su viaje, la larva aparece yuxtapuesta en una serie de historias de amor fallidas, traumáticas memorias de la guerra, operaciones de contrabando y corruptas tramas políticas. La película termina donde empezó, en Hokkaido, donde la red del chico atrapa a otra mariposa.

Struggling with his true emotions, dreams, memories of the past and the reality Shizuo is about to marry, but is torn between his wife-to-be and the love to his mother.

Japanese documentary from 1964 directed by Noriaki Tsuchimoto. The film focuses on the taxi drivers of Tokyo in the year before the Tokyo Olympics and the difficulties they face: construction obstructing traffic, poor working conditions, numerous accidents, and bad pay. It becomes a critique of a changing and modernizing urban Japan.