Dimitri Krassoulia-Vronsky

Amin is a young spotter with the gift of the gab. Isabelle, a theater director from Paris, sees an opportunity for Amin to become a soloist in her opera.

In the middle of summer 2001, in a small village in Burgundy, a film crew was about to shoot the first images of Jean Luc Gromer's new film, when suddenly the camera was torn from its foot and stolen by two young local teenagers: Joe and Patrice.

A documentary view of the galas of Paris’s Palais Garnier in the 1950s and ’60s.

Jafar Panahi sets out to find a young woman with a golden voice that has been forbidden to sing by Iranian authorities. Social films are inspired by the director's "sensations" and "experiences." These sensations/experiences erode the soul of the filmmaker until they can be released into a movie. This is the reason why a filmmaker cannot be told to make or not make a movie. Telling them not to film will never breach their resistance; neither will it close all the paths leading to making a movie. The opposite is equally true: if they are commissioned a movie, something resists inside them and prevents them from making it!

Samuel and Agnes are blocked in an elevator just after Agnes has stolen Samuel's bag. In this enclosed space with no exit, the attacker and victim confront each other, before finally letting their masks drop.

A monochromatic portrait of four skateboarders who ride a ramp back and forth like human metronomes, accompanied by musicians invited to create a soundtrack.

Jonathan Littell revived Monteverdi’s baroque and decadent opera L’incoronazione di Poppea in a modern and fantastic production. From allusions to the Roman era, to the Renaissance and modern age, Little twists shamelessly Monteverdi’s score to highlight the dialogues and create a background music. The Coronation shatters the film-opera’s cliché only to better put it back together, with patience and clockwork precision.

Two bored extras from the ‘Tristan and Isolde’ opera roam the underground of the Garnier Palace.

Jean-Gabriel Périot sketches the portrait of a group of women for whom music is a means of resistance and of escaping isolation.

Lazare lives with a roommate, Jacques, his best friend. Jacques decides to organize a date for Lazare, and contact a woman, Céline, through a meeting application. The ring bells.

Architect Charles Garnier's widow recounts her intimate past deep in the recesses of the velvet and gold Palais Garnier.

A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.