Christoph
In the German comedy Jagdsaison, a wellness weekend for three friends is in danger of derailing: Marlene is in a serious midlife crisis and is looking for a sex date. She accompanies the divorced Eva and her ex-husband's new wife to protect them from stupid things. Unfortunately, the three seem to attract chaos almost magically.
Angehöriger
After taking several years off to have children, nurse Clara Horn returns to work and begins to feel the effects of the much tougher daily routine at the clinic - pressure, stress and tension are the order of the day. But she soon realizes that there is much more going on in her clinic: Apparently, one of her colleagues is deliberately killing patients. Clara must overcome not only her own doubts, but also massive resistance among her colleagues in order to convict the perpetrator, Rico Weber.
Fahrer
17-year-old Cyril is funny, smart and an all-round good guy. Just his somewhat overlarge nose spoils the picture. On a school trip to Berlin with Roxy, a stunning new classmate, Cyril is not the only one taken with her. Benno, the class Casanova has his eye on the girl too and makes a nasty wager. Roxy is more interested in the introverted Rick, who is not only shy but also slow. Cyril hastens with his spoken word skills to Rick's aid, and falls head over heels in love with Roxy himself. So whose brave heart will win the fair lady?
Village Priest
Plum out of luck, Swabian farmer Huber’s farm goes under. Then his girlfriend Birgit takes over her father’s newly-acquired firm – in former East Germany. That's reason enough for Huber to bail on his debts and head out on a road trip through southwest Germany.
Hubel
Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.
