Christoph
In the German comedy Jagdsaison, a wellness weekend for three friends is in danger of derailing: Marlene is in a serious midlife crisis and is looking for a sex date. She accompanies the divorced Eva and her ex-husband's new wife to protect them from stupid things. Unfortunately, the three seem to attract chaos almost magically.
Angehöriger
After taking several years off to have children, nurse Clara Horn returns to work and begins to feel the effects of the much tougher daily routine at the clinic - pressure, stress and tension are the order of the day. But she soon realizes that there is much more going on in her clinic: Apparently, one of her colleagues is deliberately killing patients. Clara must overcome not only her own doubts, but also massive resistance among her colleagues in order to convict the perpetrator, Rico Weber.
Fahrer
Cyril, de 17 años, es divertido, inteligente y un buen chico completo. Solo su nariz algo demasiado grande estropea la imagen. En un viaje escolar a Berlín con Roxy, una deslumbrante nueva compañera de clase, Cyril no es el único que se enamora de ella. Benno, la clase Casanova también tiene el ojo puesto en la chica y hace una apuesta desagradable. Roxy está más interesada en el introvertido Rick, que no solo es tímido sino también lento. Cyril se apresura con sus habilidades de palabra hablada en ayuda de Rick y se enamora perdidamente del propio Roxy. Entonces, ¿de quién es el corazón valiente que conquistará a la bella dama?
Village Priest
Plum out of luck, Swabian farmer Huber’s farm goes under. Then his girlfriend Birgit takes over her father’s newly-acquired firm – in former East Germany. That's reason enough for Huber to bail on his debts and head out on a road trip through southwest Germany.
Hubel
Deep in the Bavarian countryside Kleist’s historical drama Michael Kohlhaas is being shot. But instead of shooting a huge epic with impressive costumes and extraordinary props, grown-up men in suits fight with imaginary weapons. What has happened? Young director Lehman is fighting for his film, although all funds have been canceled. He’s convinced that the actor’s play and the fantasy of the audience will be sufficient. He fights for his vision as much as Kleist’s Kohlhaas fights for his rights. This film has to be finished. Whatever may come. Even if he has to go too far.
