Theo Francocci

A North Korean man wants to meet her in Seoul.

A man must raise his hand and break free from his timid self.

Abby represents her estranged sister in a murder trial. Is her sister guilty or is there a killer on the loose?

Mirea is about to be 18 years old, and her family is prepearing a big party for her. Teresa, Mirea's mother, wants to gain notoriety, so begins to spend recklessy for the celebration. When the day finally comes, an unexpected death puts it at risk.

Reckless and in love, Viviana and Modesto are bound by an uncontrollable passion. Their secret relationship ends up in front of an incredulous therapist, who'll anyway help them understanding their feelings and dealing with their desire to follow the true love.

Two contrasting visions of life: on the one hand, the "rock" and adventurous of the brave Livia, cellist without maternal instinct; on the other hand, the reassuring routine of his sister Tina, shy urban vigilant with an ardent desire for maternity.

Paul is a down-on-his-luck screenwriter who picks up a drifter and offers him a place to stay. However, when the deranged stranger takes Paul hostage and forces him to write, their unhinged relationship brings buried secrets to light.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Two very different men have something in common: the work. When their companies are bought by a bigger one, who will take the only place of boss of the new company?

Italy, from the '50s to the present day, told through the eyes of generations of children captured in Rai's (Italian public TV) archival footage.

It's 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied - tragic, bizarre, funny or erotic - but common and central to all of them is the female presence.

"Tomorrow, I won't be alive anymore," Francesco tersely tells his family, gathered for dinner. He has decided to commit suicide because he can't bear living without his wife, who died three months earlier, and can't imagine the idea of getting used to the pain. After the initial shock, his parents and his sisters try to make him change his mind.

A wealthy broker, Federico Picchioni, within two days forfeits his partner and work, finishing well to living with two children and granddaughter (abandoned by her father). He is, at this point, in the face of many difficulties of adjustment but finds comfort in the help of his neighbor.