Theo Francocci

A North Korean man wants to meet her in Seoul.

A man must raise his hand and break free from his timid self.

Una abogada debe trabajar rápidamente para descubrir quién está detrás de las recientes muertes en su familia antes de que ella se convierta en la próxima víctima.

Mirea is about to be 18 years old, and her family is prepearing a big party for her. Teresa, Mirea's mother, wants to gain notoriety, so begins to spend recklessy for the celebration. When the day finally comes, an unexpected death puts it at risk.

Descargados de la pasión incontrolable de los primeros tiempos, Modesto y Viviana llaman a la puerta de un analista para someterse a una terapia de pareja. Solo hay un problema: no son una pareja. No es un oficial, al menos. Los dos amantes, ambos vestidos en bodas infelices, no saben cómo reaccionar al dilema que probablemente los desvíe: a la deriva en una aventura extramatrimonial e invertir en una nueva vida, como le gustaría a la intrigante Viviana (Ambra Angiolini); o seguir la sugerencia del saliente Modesto (Pietro Sermonti) y continuar con la retorcida doble existencia

Two contrasting visions of life: on the one hand, the "rock" and adventurous of the brave Livia, cellist without maternal instinct; on the other hand, the reassuring routine of his sister Tina, shy urban vigilant with an ardent desire for maternity.

Paul (Antonio Banderas) es un escritor en horas bajas que un día recoge a un vagabundo (Jonathan Rhys Meyers) y le ofrece quedarse con él en su apartada cabaña de madera. Pero el extraño decide tomar a Paul como rehén y lo obliga a escribir todos sus secretos íntimos, enterrados durante años... Remake del thriller francés "Papillon Noir" de Christian Faure.

Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.

Two very different men have something in common: the work. When their companies are bought by a bigger one, who will take the only place of boss of the new company?

Italy, from the '50s to the present day, told through the eyes of generations of children captured in Rai's (Italian public TV) archival footage.

Ambientada en la Florencia azotada por la Peste Negra entre 1348 y 1349. Huyendo de la epidemia, diez jóvenes se refugian en el campo y pasan el tiempo contando breves historias. Ya sean trágicos o ingeniosos, eróticos o grotescos, todos los relatos tienen un único protagonista, el amor en sus múltiples formas. Y el amor acabará siendo, para estos jóvenes, el mejor antídoto contra el sufrimiento y las incertidumbres de la época.

"Tomorrow, I won't be alive anymore," Francesco tersely tells his family, gathered for dinner. He has decided to commit suicide because he can't bear living without his wife, who died three months earlier, and can't imagine the idea of getting used to the pain. After the initial shock, his parents and his sisters try to make him change his mind.

A wealthy broker, Federico Picchioni, within two days forfeits his partner and work, finishing well to living with two children and granddaughter (abandoned by her father). He is, at this point, in the face of many difficulties of adjustment but finds comfort in the help of his neighbor.