In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.
A young man briefly meets another young man in a party and loses sight of him after a experiencing a quick crush. The search begins, with both love and exorcism. With the help of a girlfriend who now lives far away but keeps him company in her own way, he tries to find him in parties and similar situations to that of their first encounter. But none of this is actually what it seems. Disco Limbo plants its flag on common fiction grounds and creates its own language, made of mountain settings, dubbed voices, animated topographies, tutorials, video games, deserts, karaoke, and endless parties. The result is a journey in which time and space aren’t necessary companions, and where there’s so much distance between words and pictures as it exists between the boy who is searching and the one who –we can conclude– is escaping.
The supermarket is filled with products, but there’s no one there. Oh, yes, there’s one kid. But he doesn’t walk as if he was in a supermarket. His friends fight with the cashier, they’re looking for something she says it doesn’t exist. Later on the streets they are a group again, they walk and talk like they do every night. They all want time to go by as it always does.
Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.
Dramatizing of the many shocking highs and lows of Argentine soccer hero Diego Maradona, an extraordinary athlete and arguably the greatest player in the history of the sport.
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.
