In the Smug art world, innocence perishes. This is the discovery experienced firsthands by Penelope, a young woman who, after embarking on a series of insignificant relationships, arrives at a field of new experiences, some sort of moral abyss she will find herself trapped in more and more.
A young man briefly meets another young man in a party and loses sight of him after a experiencing a quick crush. The search begins, with both love and exorcism. With the help of a girlfriend who now lives far away but keeps him company in her own way, he tries to find him in parties and similar situations to that of their first encounter. But none of this is actually what it seems. Disco Limbo plants its flag on common fiction grounds and creates its own language, made of mountain settings, dubbed voices, animated topographies, tutorials, video games, deserts, karaoke, and endless parties. The result is a journey in which time and space aren’t necessary companions, and where there’s so much distance between words and pictures as it exists between the boy who is searching and the one who –we can conclude– is escaping.
The supermarket is filled with products, but there’s no one there. Oh, yes, there’s one kid. But he doesn’t walk as if he was in a supermarket. His friends fight with the cashier, they’re looking for something she says it doesn’t exist. Later on the streets they are a group again, they walk and talk like they do every night. They all want time to go by as it always does.
의학적 호기심으로부터 알렉스를 보호하기 위해 아르헨티나를 떠나 우루과이의 외딴 어촌마을로 들어온 알렉스의 부모는 딸로 키워온 알렉스가 사춘기에 이르자 아이의 미래를 결정해야 되는 고민에 빠지게 된다. 그리고 성형외과 의사인 친구 부부와 그들의 아들, 알바로가 알렉스의 수술검토를 위해 이 가족을 방문하게 된다. 알렉스는 어느 한 성의 선택을 강요받는 분위기 속에서 압박감을 느끼고, 알바로와의 섹스를 시도한다. 부모들은 부모들대로 자식의 이익을 위해 최선을 다하려 하지만 무엇이 최선인지를 알 수 없다. 한편 아이들도 아이들 나름대로 자신의 정체성을 찾고 스스로를 보호하기 위해 혼란의 과정을 겪는다.
Dramatizing of the many shocking highs and lows of Argentine soccer hero Diego Maradona, an extraordinary athlete and arguably the greatest player in the history of the sport.
An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.
