Writer
A man returns to his childhood cabin, but something is not right. By reconstructing the series of events he tries to understand how his parents’ couch wound up in the yard, why the walls of the bedroom are pink and how his holiest of childhood memories has been corrupted by someone with no sense of limits. - Annie Karlsson
Producer
How do you know that someone is a ghost? You can't see his legs.
Executive Producer
Artist Marianne Lindberg De Geer thinks about her old friends from the 70s, where did they all go?
Producer
A woman gets locked in the office for a whole night and is offered late take off and spend a peaceful and peaceful time in the woods.
Producer
A man finds a lot of mysterious pieces that lie here and there in the city. Is that information, is it propaganda? The man finds a map and begins to follow the paths of the patches. What will he find at the end? Who is behind everything?
Producer
Carl-Johan De Geer talks about his hometown Stockholm, how he will miss it when he's gone.
Producer
A contradictory picture of Nazism in the Swedish aristocracy. To distance themselves from Nazism is obvious for most people. But not for everyone.
Producer
Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.
Producer
Producer
The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.
Producer
The neurotic director Max Karlsson tries to do a film of Goethe's "Die Leiden des jungen Werthers". He finds all actors for his melodrama - except Lotte, the wonderful girl who is an object of two mens love. He auditions a number of girls. But when he finds the right one nothing goes the way he had figured.
Producer
