Writer
A man returns to his childhood cabin, but something is not right. By reconstructing the series of events he tries to understand how his parents’ couch wound up in the yard, why the walls of the bedroom are pink and how his holiest of childhood memories has been corrupted by someone with no sense of limits. - Annie Karlsson
Producer
How do you know that someone is a ghost? You can't see his legs.
Executive Producer
Artist Marianne Lindberg De Geer thinks about her old friends from the 70s, where did they all go?
Producer
A woman gets locked in the office for a whole night and is offered late take off and spend a peaceful and peaceful time in the woods.
Producer
A man finds a lot of mysterious pieces that lie here and there in the city. Is that information, is it propaganda? The man finds a map and begins to follow the paths of the patches. What will he find at the end? Who is behind everything?
Producer
Carl-Johan De Geer talks about his hometown Stockholm, how he will miss it when he's gone.
Producer
A contradictory picture of Nazism in the Swedish aristocracy. To distance themselves from Nazism is obvious for most people. But not for everyone.
Producer
Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.
Producer
Producer
한 무리의 사람들이 어느 교외의 공터에 놓인 대형 트럭 주변에 서 있다. 나체의 남성들, 여성들 그리고 아이들이 대형 트럭 뒷문에 떼를 지어있다. 트럭의 문이 닫히자 한 남자가 대형 트럭의 배기관과 트럭 내부에 호스를 연결한다. 그렇게 대형 트럭은 공터 주위를 빙글빙글 돈다. 화면 앞에 배치되어 있던 남성이 고개를 돌려 관객을 응시한다.
Producer
The neurotic director Max Karlsson tries to do a film of Goethe's "Die Leiden des jungen Werthers". He finds all actors for his melodrama - except Lotte, the wonderful girl who is an object of two mens love. He auditions a number of girls. But when he finds the right one nothing goes the way he had figured.
Producer
