Catherine Pattinama Coleman

Poetic visual narrative about a group of young Russian LGBTQ+ people who dream of a world and a life where they are accepted.

Viktoria is an odd and extremely self-disciplined researcher in the field of suicide. She is invited to a psychiatric ward to treat the suicidal patient Jenny. Through intimate night conversations, they form a tight bond. Viktoria slowly opens up to experience closeness with another person for the first time in her life, but the closer the two women get, the more it becomes clear that something is not as it seems.

The film depicts the last hours in the life of great Danish King Christian IV, told exclusively from a horse carriage. The focal point is Christian's tempestuous relationship to his second wife, Kirsten Munk, involving accusations of infidelity and attempted murder.

Two Danish-Korean adoptees return for the first time to the country they of their birth. Confronted with the spirit of their Motherland and the personal stories of the fellow adoptees they meet in the city of Seoul, Karoline and Thomas are hurled into an emotionally disorienting journey that forces both of them to question and face their own destiny and identity.

During casting sessions, young women from Copenhagen talk candidly about their sexual experiences. Initially, the two female directors wanted to make a film as a way of better understanding their own sexual desires and frustrations. In response to a casting call, more than a hundred ordinary young women turned up and talked straight into the camera about their erotic fantasies. As shooting progressed, the filmmakers realized that these intimate casting sessions should in fact be the final film.