Catherine Pattinama Coleman

Poetic visual narrative about a group of young Russian LGBTQ+ people who dream of a world and a life where they are accepted.

자살에 관한 연구를 하는 여자가 자살 충동에 시달리는 여자 환자를 만나러 병원을 찾는다. 환자와 가까워질수록 연구자의 마음에도 이상한 집착이 생겨난다.

The film depicts the last hours in the life of great Danish King Christian IV, told exclusively from a horse carriage. The focal point is Christian's tempestuous relationship to his second wife, Kirsten Munk, involving accusations of infidelity and attempted murder.

카롤린과 토마스는 덴마크로 입양된 한인이다. 그들은 부모를 찾아 처음으로 한국을 방문한다. 합정과 홍대 그리고 이태원에 머물며 혼돈의 감정과 다른 입양인들과의 대화와 만남을 통해 삶과 운명에 대한 질문이 늘어난다.

During casting sessions, young women from Copenhagen talk candidly about their sexual experiences. Initially, the two female directors wanted to make a film as a way of better understanding their own sexual desires and frustrations. In response to a casting call, more than a hundred ordinary young women turned up and talked straight into the camera about their erotic fantasies. As shooting progressed, the filmmakers realized that these intimate casting sessions should in fact be the final film.