Tamás Bohács

An entomophobic filmmaker faces her fears through a series of expeditions and encounters with a Hungarian neurologist obsessed with beetles. Curious about what his passion for insects can teach her, director Mariana Castiñeiras perfectly pins the thrill of discovery. Why do desire and fear fade once conquered? How do collecting and psychology drive the relationship between documentarian and subject?

Űrpiknik / Garbage Theory is a dramedy webbed through with the elements of sci-fi, which tells the story of one night spent by an alien lacking self-appreciation and a troubled university student in Budapest. Panna is a lonely university student who is incapable of forming human relationships, until Boy, the self-loathing alien arrives due to her signals sent to space. Boy tells Panna that the planet is doomed and he is only interested in saving his one admired artist, Sarolta Zalatnay. The two strangers form a unit, Panna helps Boy to fulfill his plan, and the alien takes her to the unknown planet in return. Panna and Boy meet unusual characters and extraordinary situations during the adventure lasting a night, which open up the world in front of them; Panna learns to form bonds and Boy finds home in the universe: on planet Earth.

Tobi is a typical 16-year-old, desperate for the end of school and wondering what path in life to take. The hard-working people in Tobi’s tiny village struggle to make ends meet, while the kids can’t wait to escape to Budapest as soon as they turn 18. Against the challenges of an increasingly conservative Hungary, where trans rights are currently being stripped back, this insightful documentary generously shines a light on the journey of Tobi’s mother as much as Tobi themselves. Having come out once as male in his mid-teens, Tobi later shifts towards a non-binary identity. It’s a steep learning curve for the family to re-evaluate the deeply ingrained gender binary in this rural corner of Central Europe, but for this caring and communicative group, love wins the day.

Decades after Sarah Connor prevented Judgment Day, a lethal new Terminator is sent to eliminate the future leader of the resistance. In a fight to save mankind, battle-hardened Sarah Connor teams up with an unexpected ally and an enhanced super soldier to stop the deadliest Terminator yet.

László Krasznahorkai is the 'contemporary master of the apocalypse' as Susan Sontag described him. We discussed what I could show of him if I were to make a portrait film. Whatever I asked, his answer was no. That is how this film has begun.

Bianka (20) finds herself drifting in the suburbs without any particular purpose. She has the sudden urge to steal a baby, which she does, but now she has to find a father and a home. When none of her ex-boyfriends are willing to lend a hand, the only one happy to help is Laci (21) who is mentally disabled and living in a workers’ hostel.

The Comet follows 20-year-old Gustav and his search to find his father who mysteriously disappeared 12 years ago when a comet passed close to earth.

In the darkness of a peaceful village, a pyromaniac ignites his first fire. As more fires break out, the society panics. An inferno lurks under the surface as a local policeman uncovers the unthinkable truth...

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...