Tamás Bohács

An entomophobic filmmaker faces her fears through a series of expeditions and encounters with a Hungarian neurologist obsessed with beetles. Curious about what his passion for insects can teach her, director Mariana Castiñeiras perfectly pins the thrill of discovery. Why do desire and fear fade once conquered? How do collecting and psychology drive the relationship between documentarian and subject?

Űrpiknik / Garbage Theory is a dramedy webbed through with the elements of sci-fi, which tells the story of one night spent by an alien lacking self-appreciation and a troubled university student in Budapest. Panna is a lonely university student who is incapable of forming human relationships, until Boy, the self-loathing alien arrives due to her signals sent to space. Boy tells Panna that the planet is doomed and he is only interested in saving his one admired artist, Sarolta Zalatnay. The two strangers form a unit, Panna helps Boy to fulfill his plan, and the alien takes her to the unknown planet in return. Panna and Boy meet unusual characters and extraordinary situations during the adventure lasting a night, which open up the world in front of them; Panna learns to form bonds and Boy finds home in the universe: on planet Earth.

Tobi is a typical 16-year-old, desperate for the end of school and wondering what path in life to take. The hard-working people in Tobi’s tiny village struggle to make ends meet, while the kids can’t wait to escape to Budapest as soon as they turn 18. Against the challenges of an increasingly conservative Hungary, where trans rights are currently being stripped back, this insightful documentary generously shines a light on the journey of Tobi’s mother as much as Tobi themselves. Having come out once as male in his mid-teens, Tobi later shifts towards a non-binary identity. It’s a steep learning curve for the family to re-evaluate the deeply ingrained gender binary in this rural corner of Central Europe, but for this caring and communicative group, love wins the day.

심판의 날 그 후, 뒤바뀐 미래. 새로운 인류의 희망 대니를 지키기 위해 슈퍼 솔져 그레이스가 미래에서 찾아오고, 대니를 제거하기 위한 터미네이터 Rev-9의 추격이 시작된다. 최첨단 기술력으로 무장한 최강의 적 Rev-9의 무차별적인 공격에 쫓기기 시작하던 그레이스와 대니 앞에 터미네이터 헌터 사라 코너가 나타나 도움을 준다. 인류의 수호자이자 기계로 강화된 슈퍼 솔져 그레이스와 사라 코너는 대니를 지키기 위해 새로운 조력자를 찾아 나서고, Rev-9은 그들의 뒤를 끈질기게 추격하는데...

László Krasznahorkai is the 'contemporary master of the apocalypse' as Susan Sontag described him. We discussed what I could show of him if I were to make a portrait film. Whatever I asked, his answer was no. That is how this film has begun.

Bianka (20) finds herself drifting in the suburbs without any particular purpose. She has the sudden urge to steal a baby, which she does, but now she has to find a father and a home. When none of her ex-boyfriends are willing to lend a hand, the only one happy to help is Laci (21) who is mentally disabled and living in a workers’ hostel.

혜성이 지구에 나타나던 날, 8살 구스타프의 눈 앞에서 아빠가 UFO에 납치되는 것을 목격한다. 아빠를 되찾을 유일한 방법은, 8살에 봤던 그 혜성이 은하를 돌아 다시 지구로 나타나는 정확히 12년후 같은 날 뿐! 20살 성인이 된 구스타프는 그 날을 철처하게 준비를 한다. 과연 구스타프는 아빠를 되찾을 수 있을까?

노르웨이 핀슬랜드의 한 농장에 살고 있는 19살 '대그'는 지역 소방서장인 아버지를 도와 지역의 크고 작은 화재사건을 처리한다. 그의 주변 사람들은 제대로 된 자신의 직업을 찾지 않는 '대그'를 무시한다. 그럴수록 그는 자신의 분노를 방화로 해소하려 한다. 조용하던 마을은 연쇄 방화사건으로 혼란에 빠진다.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...