Jean-Marc Fabre

Movies

La fille d’Albino Rodrigue
Director of Photography
Rosemay, 16, lives in a foster home and only joins her biological family for the vacations. One day, her father is not there to welcome her as planned. Moreover, he does not reappear and seems to have evaporated. Her questions are met with lies, and Rosemay can only rely on her intuition.
Midwife Man
Director of Photography
Julien takes up his post in a child protection center in an underprivileged neighbourhood. He is soon confronted with the difficulties that make up the daily life of the center's team. During his first consultation, he meets Léa, who has become pregnant as a result of rape.
Rascal
Director of Photography
Dje arrives in Paris penniless, relying on his charm to get by. He seizes every opportunity which comes his way, even if it means killing.
The Other
Director of Photography
An intimate portrait of a woman's mental confrontation and drifting between dream and reality after experiencing loss.
À cause des filles…?
Director of Photography
At a wedding where the husband runs away, everyone has his own story to tell about the trivial misfortune of a person in love with someone that slips away. The guests paint a full picture of clumsiness, lies, and bad luck, that makes impossible, whatever the age, all attempts of seduction... or close enough !
The Roommates Party
Director of Photography
An unusually cold winter forces the french government to push the best housed people to accommodate some poor fellow citizens. The decree called "Le Grand Partage" creates some trouble among the residents of a Paris upscale apartment block.
Valentin Valentin
Director of Photography
In a small Parisian building, a diverse group of people crosses paths, likes and observes each other, without always seeing each other.
It Happened in Saint-Tropez
Director of Photography
Zef’s stormy relationship with his brother Roni is further aggravated when Roni marries his daughter just as he is attending to his wife’s funeral. The two brothers have never got on with each other. One is faithful to his religion, the other lives only for the present. Between London, Paris, Saint-Tropez and New York, a series of confrontations and betrayals threatens to drive the family further apart, but out of this confusion will come a great love story, perhaps even two...
Camille Rewinds
Director of Photography
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
My Worst Nightmare
Director of Photography
Agathe runs an art gallery. Her husband François is a publisher. Together they have one son, and in every way seem to be the picture of normality — but emotions are stewing under the surface. All it takes is the arrival of a complete stranger for things to start unravelling. Patrick is brash, uncouth and totally unselfconscious...
A View of Love
Director of Photography
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...
Opale plage
Director of Photography
A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.
One for the Road
Director of Photography
Herve, the head of a press agency, is traveling fast down a road headed in only one direction: self-destruction. He is an alcoholic, and his drinking is wrecking his marriage, family and career. In desperation and still in denial, he checks into a detox clinic in Geneva, his last-chance saloon. There he meets a group of fellow sufferers and one person in particular, a young woman named Magali, who help him to see life other than through the bottom of an empty bottle.
Crossfire
Director of Photography
A grizzled Parisian detective is sent to an outpost town in Southern France to dismantle a gang of killers which has freed a notorious criminal. The detective inherits a team of unmotivated and dishevelled detectives, and he makes connections nobody else ever saw because nobody else bothered to look. A mysterious, charismatic figure, he leads by example, and gradually his team begins to feel like cops again.
Avenue Montaigne
Director of Photography
A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.
Nathalie...
Director of Photography
Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.
The Adversary
Director of Photography
Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.
The Secret
Director of Photography
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
Fast Food Fast Women
Director of Photography
How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.
TOKYO EYES
Director of Photography
The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.
A Self-Made Hero
Director of Photography
Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator.
L'Âge des possibles
Director of Photography
Ten young people ( boys and girls) at the age at which all is possible. They meet, they love, they choose. The film comes and goes between all those people, revealing their anguish, their dreams, depicting the portrait of a generation of the '90s which has both the fury and the fear of life.
Inside
Director of Photography
A lonely man talks to his camcorder and tells it everything he'd have liked to do if he hadn't fallen ill.
Those Were the Days
Director of Photography
The grueling, emotionally torturous world of French preparatory schools provides the framework for this mystery. The deliberately rigorous courses are designed to prepare students to take the brutal examinations for entry into the elite Grand Ecoles, where a select few will gain the skills and education needed to insure a bright, prosperous future for themselves. The story centers on Delphine, a girl from the lower classes, and the upper class Claude. Both young women aspire to attend the Ecole Normale Superieure on the Rue d'Ulm. Delphine lives in humble public housing with her dull mother and two young brothers while Claude, who considers herself a Communist, lives in luxury with her own servant; she is sexually involved with fellow- student, Axel, who thinks himself a fascist.
Sauve-toi
Director
A young man who has just committed a hold-up finds refuge in an old house.
Moi Ivan, toi Abraham
Director of Photography
In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability.
Tell Me Yes, Tell Me No
Cinematography
Cécile thinks one thing and its opposite. She wants one thing and its opposite. She doesn't know what she thinks or what she wants. So she talks about one thing and its opposite.